Dark Horse

 If you’re planning on taking a gamble this festival, you could do a lot worse than catching Dagur Kári’s follow-up to ‘Noi Albinoi’, a drifting and delightfully funny shaggy-dog story of graffiti artist Daniel (Cedergren) and his utter detachment from the responsibility of adulthood. Redolent of early Jarmusch and pre-angry Moodysson, the seemingly nonsensical narrative develops from a series of blackly comic sketches into a blissfully poignant finale where Daniel, quite literally, sees the light.