Set in 1902, on a barrier island off Georgia, this first feature is an impressionistic portrait of the ritual last supper of the Peazant family before migrating to the mainland. The younger generations are leaving the matriarch Nana (Day) and the insulated traditional life she symbolises. Tensions are raised by the return of family members Viola, a Baptist missionary, and Yellow Mary (Barbara-O), a proud whore, and by Eli's apprehension that his wife Eula (Rogers) is carrying the child of a rapist. Nana fears these rifts will destroy her family when they leave the home of their African ancestors and calls on the spirit of Eula's unborn child to heal them. Steeped in symbolism, superstition and myth, this disconcertingly original film is structured in tableaux which jump through time. The characters speak in the islanders' Gullah dialect and little is explained; however, Dash's universal message about holding on to tradition in face of change rings clear.