One of the legendary maudit films, Smith's extravaganza of underground pleasure(ing)s doesn't quite stand up to its chequered fame. Shot in murky black-and-white, it visibly belongs to the early '60s, but nevertheless appears to originate from some arcane time pocket of the '20s, populated by vampy drag queens and draggy vampires, guests at a boisterous but strangely innocent orgy orchestrated with pulpy pop ditties and flapper anthems. Admittedly, it now comes across as an archive piece, and proves that boredom has always been a factor in the avant-garde's articulation of perverse desire. But as a missing link between prehistoric cine-camp and the dazed excesses of Warhol and the infinitely more trenchant George Kuchar, it is of academic interest at the very least.
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