This droll thriller displays the same melancholy vision as Kaurismäki's brilliant Ariel. After 15 years as a London waterworks clerk, French émigré Henri (Léaud) is made redundant. Lonely and friendless, he hires a hit-man to put him out of his misery; but after meeting flower-seller Margaret (Clarke) in a pub, he tries to cancel the contract. Shot in English on barely recognisable London locations, the film's oblique camera angles, moody colours and short, sharp scenes create a stylised world which still has the feel of everyday life. Kaurismäki's plots and dialogue often give the impression of having been improvised at the last moment, but his framing and narrative concision are extremely rigorous. He also allows lots of space for some sympathetic performances, in particular the laconic Léaud, Colley as the hangdog assassin, Tesco and Cork as a pair of small-time villains. Meanwhile, Timo Salminen's atmospheric images once again catch the seedy ambience of a B movie world where talk is cheap but love is precious. In short, it plays like an Ealing comedy on downers.