🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
Time Out says
Prague, 1988. Since being chucked out of the Czech Philharmonic, cellist Frantisek Louka (Sverák) has been reduced to playing at funerals. With the bills mounting, the middle-aged loner agrees to a marry a Russian woman in return for enough cash to pay his debts and buy a Trabant. The bogus bride, armed with her new Czech papers, exits to join a lover in West Germany, thus threatening to land Louka in trouble with the authorities, and lumbering him with her five-year-old son Kolya (Chalimon). With each film, Czech director Jan Sverák moves ever closer to the mainstream: the oddball sci-fi parody Accumulator 1 and the dark social insights of the road movie The Ride are here replaced by sentimental comedy-drama. The script (by the director's father and lead actor) is contrived, obvious and shallow, and benefits not a jot from being set during the decline of communism. That said, however, it is a polished affair, and thanks to Sverák Sr's subtle, quietly charismatic performance as the cynic softened by responsibility, it's not entirely without charm.