Ophüls' second French film following his return from the USA was adapted from three stories by Maupassant. Le Masque describes how an old man wears a mask of youth at a dance hall to extend his youthful memories. La Maison Tellier, the longest episode, deals with a day's outing for the ladies from a brothel, and a brief romance. In Le Modéle, the model in question jumps from a window for love of an artist, who then marries her. Although Ophüls had to drop a fourth story intended to contrast pleasure and death, these three on old age, purity and marriage are shot with a supreme elegance and sympathy, and the central tale in particular luxuriates in the Normandy countryside. The whole is summed up by the concluding line, that 'happiness is no lark'.