Pandora and the Flying Dutchman
Time Out says
Lewin brings off the near-impossible task of positing a transcendent love in a sceptical age, succeeding through his own conviction, and indeed because Gardner, in the role of a lifetime, seems as much screen goddess as mere mortal – an apotheosis rendered by cameraman Jack Cardiff in Technicolor so heady it’s the stuff of legend. Unlike Powell and Pressburger at their peak, however, the storytelling remains earthbound, with a beardy English academic character on hand to explain the references lest 1950s viewers didn’t get it. A film ahead of its time? Quite possibly, though you forgive the stodgy pace for the sheer uniqueness with which Lewin conjures a celluloid equivalent of the canvasses of De Chirico and Dalí – passionate, classical, mysterious and surreal all at once.
Cast and crew