Get us in your inbox

The American Soldier

  • Film
Advertising

Time Out says

Far from Vietnam, indeed. Fassbinder's American soldier is actually a German, who comes home to roost as a hired killer in the Munich underworld. The miasma into which he sinks involves an ageing rent-boy whose time is up, a roving porn-shark-cum-supergrass called Magdalena Fuller, a mother with a pinball machine in her living-room, and a two-timing moll called Rosa von Praunheim. There is no attempt at plausibility, just a relentless insistence on mood (manic depressive) and behaviour patterns (ex-film noir). The gangsters in Fassbinder's earlier movies were sad, pale shadows of their American prototypes; by this time, they've become full-fledged Neuroses. In other words, this film marks a decisive step towards 'real' Fassbinder: the absurdity of its world of second-hand experience invests every cliché with a meaning it never had before.
Written by TR
Advertising
You may also like

    The best things in life are free.

    Get our free newsletter – it’s great.

    Loading animation
    Déjà vu! We already have this email. Try another?

    🙌 Awesome, you're subscribed!

    Thanks for subscribing! Look out for your first newsletter in your inbox soon!