The Quiller Memorandum

The thinking man's spy thriller, in as much as Harold Pinter wrote the script. Although the whole thing is ill-served by Michael Anderson's direction, it remains perversely likeable precisely because it is rather long-winded and enig-matic: it gets closer to the feel of Len Deighton's novels far better than any of the three Harry Palmer films. The acting, with George Segal versus neo-Nazi Max von Sydow, is excellent, the Berlin locations so-so.