Crobot / Stone Senate / Sound & Shape

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Crobot / Stone Senate / Sound & Shape
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The End says
Crobot is:
Brandon Yeagley - Vocals, Harmonica
Bishop - Guitar, Vocals
Jake Figueroa - Bass
Paul Figueroa - Percussion

Dirty. Groove. Rock.

There was a time when rock radio was dominated by great riffs. From Deep Purple’s “Smoke On the Water” and Derek And The Dominoes’ “Layla” to Soundgarden’s “Black Hole Sun” and Rage Against The Machine’s “Killing In The Name Of” it was all about that unmistakable guitar sound that instantly identified a band or song.

The four members of Crobot — Brandon Yeagley (lead vocals), Chris Bishop (guitar), Jake Figueroa (bass) and Paul Figueroa (drums) — have united to bring that back.

Blending funk, blues, metal and good old-fashioned rock and roll into a howling vortex of Yeagley’s vocals, Bishop’s guitar and the Figueroa’s backbone, Crobot have crafted an album of endless good time rock hooks that sound as inspired today as they would have on AOR radio in 1974.

“We grew up with the same riff rock and it’s seemingly lacking in today’s music. We really seem to like the rock of old and felt that was missing,” Yeagley says.

“It seems like once we started jamming we didn’t try to find a certain sound or didn’t try to write a certain style, that’s just the stuff that came out cause that’s the shit that we like, the stuff that we listen to. It was much more of a subconscious effort. Crobot defined itself,” Jake adds.

That seamless chemistry between the quartet is evident throughout their eponymous four-song EP, which serves as an introduction to the band’s upcoming Something Supernatural album, due out this October. Before getting to the, well, mystical bond, first a little back story: Yeagley and Bishop were playing together in Crobot with two other members, while Jake and Paul were in other bands. “We played shows together and we realized we wanted Jake and Paul in the band for it to work and we got them,” Bishop says. “Just jamming together it was natural and clicked right off the bat. With Jake and Paul we were on the same train going the same direction, from the beginning.”

With the Figueroa brothers in the fold, Crobot found its voice. “Once Jake and Paul came into the band a little over a year ago everything started coming a lot easier just because they were already in a band that was similar to Crobot,” Bishop says. “We all played on shows together so it was nice to have an idea and then someone to expand off of that idea. So once that started happening we realized, ‘This is what Crobot is.’”

Crobot is a band that can rock at all tempos. Whether it’s the slow-building groove of “Skull Of Geronimo,” a methodical sludge-rocker that calls to mind Soundgarden in the chorus or the more up-tempo funkified “Nowhere To Hide,” a track that sounds like the Black Crowes driving a Camaro, Crobot display stellar musicianship and lyrical depth.

For example, on “Queen Of The Light,” the powerful closing track of Something Supernatural, Yeagley sings the story of a girl yearning for a new life. “She lives the darkest l
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