1. Prolonged Emergencies
    Ayoung Kim, Delivery Dancer’s Sphere, 2022, single-channel video (Full HD, color, sound), Collection of The National Museum of Art, Osaka © Ayoung Kim, Courtesy the artist
  2. Prolonged Emergencies
    Kiyoshi Takahashi, POSTER, 2018, single-channel video (color, sound), poster, Taguchi Art Collection / Taguchi Art Foundation © Kiyoshi Takahashi, Courtesy the artist
  3. Prolonged Emergencies
    Ishu Han, I carry a home, and a home relocates me, 2019, double-channel video (black and white, sound), Collection of The National Museum of Art, Osaka © Ishu Han
  4. Prolonged Emergencies
    Yuan Goang-Ming, Everyday War, 2024, single-channel video (color, sound), Collection of The National Museum of Art, Osaka © Yuan Goang-Ming, Courtesy the artist and TKG+
  5. Prolonged Emergencies
    Khvay Samnang, Untitled, 2011-13, 5-channel video (color, sound), Collection of the National Museum of Art, Osaka ©Khvay Samnang

Prolonged Emergencies

  • Art, Contemporary art
  • The National Museum of Art, Osaka
Lim Chee Wah
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Time Out says

These are troubled times we live in – unpredictable and deeply anxiety-inducing. Just as we begin to move past the shock of a global pandemic, new uncertainties emerge: natural disasters, political unrest and rapidly evolving technologies that blur the line between fact and misinformation. It often feels as though we are living in a constant state of emergency, with no resolution in sight.

In moments like these, however, art offers a means of coping, and a way to imagine something beyond the chaos. Using today’s volatile climate as a starting point, 'Prolonged Emergencies' brings together thought-provoking works by eight artists to explore how we could begin to make sense of this ‘new normal’.

This is not an exhibition that sugar-coats, and there are no answers here. Instead, through a tightly curated collection of video art, photography, immersive and mixed media installations, you’ll encounter a range of perspectives and narratives on the present and possible futures.

Highlights include Kiyoshi Takahashi’s powerful Free Watermelon Bar Stand and FWB Sign Banner in Sapporo; Ishu Han’s poignant reflection on displacement, I carry a home, and a home relocates me; and Ayoung Kim’s dystopian Delivery Dancer’s Sphere, which imagines a future wrought by an AI-enabled gig economy.

Details

Address
The National Museum of Art, Osaka
大阪府大阪市北区中之島4-2-55
Osaka
Transport:
Watanabebashi Station (Keihan Nakanoshima line); Higobashi Station (Osaka Metro Yotsubashi line); Fukushima Station (JR Osaka Loop, Hanshin Main lines)
Price:
Adults ¥1,500, university students ¥900, free for under-18
Opening hours:
Tue-Sun 10am-5pm (Fri & Sat until 8pm)

Dates and times

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