1. National Museum of Art, Osaka
    Photo: Kazuo Fukunaga
  2. National Museum of Art, Osaka
    Photo: National Museum of Art, Osaka
  3. 国立国際美術館
    Photo:Kazuo FUKUNAGA | 国立国際美術館
  4. 国立国際美術館
    Photo:Kazuo Fukunaga | 国立国際美術館

The National Museum of Art, Osaka

  • Art
Lim Chee Wah
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Time Out says

Architecturally one of the most interesting museums in Japan, the National Museum of Art, Osaka is designed by famed architect César Pelli. The avant-garde metal structure looks like an art installation in itself, whose sail-like formation is inspired by the movements of bamboo. The museum space proper sits largely underground.

Located on the unofficial art island of Nakanoshima in central Osaka, the museum has one of the country’s largest collections of Japanese and international contemporary art, with most of the pieces from the 1950s onwards. These works – which cover a range of influential artists including Christian Boltanski, Chiharu Shiota, O Jun and ​​Michio Fukuoka – are showcased on a rotating basis at the Collection Exhibition. Supplementing this is a programme of thematic temporary exhibitions.

At the museum atrium you’ll find a large-scale painting by Joan Miró, a mobile by Alexander Calder, an installation by Yoshihiro Suda, a photography work by Jiro Takamatsu and an imposing bronze sculpture by Henry Moore – all of which you can enjoy without a ticket.

Details

Address
大阪府大阪市北区中之島4-2-55
Osaka
Transport:
Watanabebashi Station (Keihan Nakanoshima line); Higobashi Station (Osaka Metro Yotsubashi line); Fukushima Station (JR Osaka Loop, Hanshin Main lines)
Opening hours:
Tue-Thu, Sun 10am-5pm; Fri, Sat 10am-8pm / closed Mon (Tue if Mon is a holiday)

What’s on

Nakanishi Natsuyuki: Devices for Gentle Gazing and Endless Lingering

One of Japan’s most distinguished contemporary artists, Tokyo‑born Natsuyuki Nakanishi (1935–2016) left behind an impressive body of work that defies neat categorisation. His paintings often question the purpose and existence of a painting, making them difficult to classify as strictly figurative or abstract. Classically trained in painting, Nakanishi is also closely associated with the avant-garde art scene of 1960s Japan. During that period, as a founding member of the boundary-pushing art collective Hi-Red Center, his practice expanded beyond traditional painting to include performance art. Later, after an inspiring collaboration with butoh dancer Tatsumi Hijikata, he returned to painting with a more evolved conceptual approach. Nakanishi’s iconic works are often executed with unusually long brushes and painted from a distance, frequently employing vibrant colours such as orange, yellow-green and purple. This exhibition at the National Museum of Art, Osaka marks his first retrospective since his death ten years ago. Note: the exhibition is closed on Mondays (except May 4) and May 7.
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