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Rebecca Cushway

Rebecca Cushway

Contributor

Rebecca is a writer, editor, designer, producer, and radio journalist based in Sydney. She is currently doing all of the above for Eastside Radio. She was Editor for Vertigo Magazine in 2017, and has been regularly published by the magazine 2017-2019. She holds a Masters in Advanced Journalism, a BA in Communications, and a Bachelor of Creative Intelligence and Innovation from UTS, as well as a Diploma in Graphic Design.

She has a special interest in environmental and social justice journalism, and local independent arts and music. She has been a professional ceramicist in her spare time since 2015. Find out more at rebeccacushway.com.

Listings and reviews (1)

It’s Not Funny, It’s Private

It’s Not Funny, It’s Private

4 out of 5 stars

Produced, written, and performed by Jenna Suffern in association with bAKEHOUSE Theatre for Sydney Fringe Festival, It’s Not Funny, It’s Private is like stand-up comedy on the more intimate side. Jenna is well-known in the Sydney comedy scene, as co-host of the queer comedy room Two Queers Walk into a Bar and occasionally writing for Pedestrian.TV and Vice. Her Sydney Fringe debut is a hilarious quasi-authentic look into the life of an amateur comic (based on the actual worst week of her life). Jenna Suffern the comedian plays Jenna Suffern the lost cause with commitment and flair, in a way that few others could pull off. Suffern summons the audience into their lounge room and we are invited to bear witness to her unraveling in the wake of experiencing three of life’s biggest disasters – losing a job, losing a girlfriend, and choosing to embark on a career in standup comedy. While the comedy career appears to be on the rise (thanks to daily lengthy livestreams of her every waking thought), everything else appears to be going south for Jenna. They slowly reveal the circumstances of the breakup and explain (via literal song and dance) some of her more unhealthy coping mechanisms for heartbreak, with no intent to change her behaviour any time soon.  The thing that stands out most in this show is the skin-crawlingly uncomfortable feeling of secondhand embarrassment from the moment Jenna steps into what is now our collective living room. Under the direction of Courtney Ammenauser,