Stephen Garrett

Cada uno tiene sus preferencias, así que cualquier debate sobre cuáles son las mejores películas de todos los tiempos se puede alargar horas (o, en nuestro caso, toda la vida). ¿Puede haber alguna lista que las agrupe a todas? Es difícil, pero hemos intentado incorporar desde las revoluciones cinematográficas más clásicas hasta las más modernas, todos los géneros, países, épocas... cine para todos los gustos, haciendo equilibrios entre la racionalidad y el sentimentalismo. El reto ha sido enormemente complicado, pero no nos hemos podido resistir a elaborar una buena lista, nuestra lista. Decidnos hasta qué punto nos hemos equivocado. Ah, para que no tengáis excusa, os hemos añadido las plataformas digitales dónde podéis verlas, ¡más fácil imposible! NO TE LO PIERDAS: El top 10 de la cartelera de cine de Barcelona Clica aquí si quieres más información sobre nuestros estándares editoriales y nuestras directrices éticas para crear este contenido

Great movies matter. Movies have the capacity to sharpen our understanding of the world. They take us places we’d otherwise never go, and introduce us to people we’d otherwise never meet. Or they reflect our own lives back at us, and help us understand ourselves a little better. They simply allow us to place reality on pause for a few hours, which, in this day and age, should not be discounted. Thankfully, there are signs that movies still do matter, even for a generation that’s grown up watching them mostly through the television, like Letterboxd, or the growing popularity of repertory cinemas. And that is ultimately what compels us to list the greatest films of all-time. It’s not to assert our own canon, or spark quibbles about snubs and arbitrary rankings. It’s because new film fans are still being born every day, and need a place to start. So consider this a road map. Jump to list: 100-91 |  90-81 | 80-71 | 70-61 | 60-51 | 50-41 | 40-31 | 30-21 | 20-11 | 10-1 How we chose our 100 best movies of all time Admittedly, the process is not an exact science. Mostly, it involves a bunch of arguing, whittling and deal-making amongst Time Out’s most movie-obsessed writers, and then voila: a top 100 everyone is kinda sorta happy about! In terms of why we chose what we chose, that’s just as messy and multivarious. Sometimes, it’s for historical achievements, either technically or thematically. Other times, it’s simple obviousness: are you really not going to have The Godfather and Ci

Tothom té les seves preferides, per això qualsevol debat sobre quines són les millors pel·lícules de tots els temps es pot allargar hores (o, en el nostre cas, tota la vida). Hi pot haver alguna llista que les agrupi a totes? És difícil, però hem intentat incorporar-hi des de les revolucions més clàssiques de la història del cinema fins a les més modernes, tots els gèneres, països, èpoques i per a tots els gustos... tot fent equilibris entre la racionalitat i el sentimentalisme. El repte ha sigut enormement complicat, però no ens hem pogut resistir a elaborar una bona llista, la nostra llista. Feu-nos saber fins a quin punt ens hem equivocat. Ah, també us posem en quines plataformes digitals la podeu veure... més fàcils impossible! NO T'HO PERDIS: El millor de la cartellera de cine de Barcelona Fes clic aquí si vols més informació sobre els nostres estàndards editorials i les nostres directrius ètiques per crear aquest contingut.

Cada uno tiene sus preferencias, así que cualquier debate sobre cuáles son los mejores largometrajes de todos los tiempos se puede alargar horas y horas. ¿Puede haber algún listado que los agrupe todos? Es difícil, pero hemos intentado incorporar desde las revoluciones cinematográficas más clásicas hasta las más modernas, grandes estrenos, todos los géneros, países, épocas... cine para todos los gustos, haciendo equilibrios entre la racionalidad y el sentimentalismo. El reto ha sido enormemente complicado, pero no nos hemos podido resistir a elaborar una buena lista, nuestra lista, de las películas que hay que ver, al menos, una vez en la vida. Decidnos hasta qué punto nos hemos equivocado. ¡Y, ah, prohibido repetir directores! RECOMENDADO: Las 50 mejores películas para ver en familia. 

Naturally, there are a lot of movies set in Los Angeles – it’s literally where American movies come from, after all. And yet, ‘LA movies’ seem less exalted than, say, New York movies or Paris movies. Maybe it’s because the city is harder to romanticise than other major cities, what with all the traffic, cosmetic tweakments and obsession with kale. Whatever the reason, it makes coming up with a list of truly great LA movies a tough task. But the great ones are really great. In terms of tone and subject matter, they’re as sprawling as the landscape itself, covering everything from showbiz dramas and inner-city thrillers to fizzy musical comedies and shadowy noirs. Here are our all-time favourites. Recommended: 🗽 The 101 best New York movies of all time🌭 The 27 best Chicago movies of all time💂 The 32 best London movies of all time🥖 The 54 best movies set in Paris

Everyone has their favorites – that’s why any debate over what makes the best movies of all time can take hours (or, in our cases, a lifetime). Can there ever be one list to rule them all? A canon, as critics like to call it, updated with today’s game changers, that would glance upon all tastes, all genres, all countries, all eras, balancing impact with importance, brains with heart? The challenge was daunting. We just couldn't resist. Our list includes some of the most recognized action, feminist and foreign films. Please let us know how wrong we got it. Written by Abbey Bender, Dave Calhoun, Phil de Semlyen, Bilge Ebiri, Ian Freer, Stephen Garrett, Tomris Laffly, Joshua Rothkopf and Anna Smith RECOMMENDED:– The best movies on Netflix right now– The 100 best comedy movies– The best romantic movies of all time– The 101 best action movies ever made– The best documentaries on Netflix

Multiple rapes. Infanticide. Aboriginal strange fruit. You’ve been warned. Brutal is too soft a word to describe ‘The Nightingale’, a brilliantly harrowing indictment of white male oppression set in British-ruled Australia circa 1825. If you thought Jennifer Kent pulled no punches in her terrifying supernatural debut ‘The Babadook’, brace yourself for the existential evil that lurks in the hearts of men – not figures out of a children’s storybook but a keenly observed sense of historical place. Newlywed mother Clare Carroll (Aisling Franciosi of ‘Game of Thrones’, hypnotically fierce), a convicted Irish street urchin sent to a Tasmanian penal colony, sings for randy, rum-soaked soldiers when she’s not suffering derision as a scullery maid. The local sadistic commander, Lieutenant Hawkins (Sam Claflin), helplessly infatuated with Clare, taunts her with the promise of freedom along with his special brand of toxic, self-loathing abuse. After learning that his only chance at promotion is a four-day trek to personally petition his superiors, Hawkins spitefully obliterates any chance of Clare’s happiness by attacking her and her family. The viciousness is off the charts. Left for dead, Clare is transformed into an avenging angel, enlisting a shrewd Tasmanian tracker named Billy (Baykali Ganambarr, sly and spiky) to help her hunt down Hawkins and his crew. And so begins a dark journey into the unmapped wilds of Van Diemen’s Land, where white devils plunder with impunity while a deva