Yuval Ofir

It's a Sunday afternoon and a dozen people are gathered around the courtyard of the Little Haiti Cultural Complex. Some have DSLRs hanging around their necks. A few people are holding film cameras. Some will just use their phones. There are clear first-timers still unsure where they fit in, while others gather in smaller, familiar groups; but a sense of loose camaraderie extends over everyone. Then a woman steps forward and speaks up, everyone gathering around to hear about the route they’re embarking on together. Miami is one of the most photographed cities in the country, and also one of the fastest-changing. Locals can leave on vacation for a couple of weeks and come back to find whole neighborhoods feeling foreign. What a block looked like four years ago, two years ago, last week, has already evolved into something else. That's exactly why it matters to have more than one person documenting the same corners. A single photographer documents, but when a dozen photographers are shooting—moving through the same streets with different eyes, different histories, different instincts about what's worth focusing on—they make something closer to a time capsule. Photograph: @slipstreamfoto#photowalk305 As more people seek to step away from digital platforms and the lack of genuine connection that comes with them, real-world meetups are becoming increasingly common across shared interests. #Photowalk.305 has been fulfilling that need since 2019. The grassroots collective holds mont