Cubism in Japan: Picasso's Impact

東郷青児《帽子をかむった男(歩く女)》1922 年 名古屋市美術館
萬鐵五郎《もたれて立つ人》1917 年 東京国立近代美術館
岡本太郎《まひるの顔》1948 年 川崎市岡本太郎美術館 公益財団法人岡本太郎記念現代芸術振興財団
吉仲太造《生きもの H》1955 年 板橋区立美術館

Tracing the Japanese history of the seminal early-20th-century art movement most famously represented by Picasso and Georges Braque, the Museum of Modern Art in Saitama shines the spotlight on how Cubism was first taken up by painters like Tetsugoro Yorozu and Seiji Togo in the 1910s and '20s. However, these early adoptions had little impact on the Japanese art world as a whole, and Cubism was largely forgotten – that is, until 'Guernica' (1937) and an extensive Picasso retrospective in 1951 asked questions of, respectively, wartime and postwar society. Centred around these memorable developments, 'Picasso's Impact' consists of around 160 pieces by the Málaga-born master himself, Braque and many Japanese artists influenced by Cubism, and offers a comprehensive look at the movement's impact on 20th-century Japanese art as a whole.


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