Obvious Child

Movies, Comedy
  • 4 out of 5 stars
  • 5 out of 5 stars
(2user reviews)
3 Love It
Save it
Obvious Child

Having a female protagonist blissfully bond with her womanhood through childbirth has typically been the Hollywood way of dealing with unplanned pregnancy. But in Gillian Robespierre’s revolutionary Obvious Child, abortion (not “shmashmortion”) is sympathetically presented as a sensible option, with consistent delight and hilarious, raunchy humor.

Following Donna Stern (the irresistible, pitch-perfect Jenny Slate), a twentysomething Brooklynite who antagonizes crowds as a stand-up comedian with earnest jokes about her bodily fluids and Jewishness, the movie first suggests a conventional rom-com of polar opposites—especially after she falls into bed with smitten, buttoned-down Max (Jake Lacy). Yet the rules of its game are refreshingly different, driven for a change by a complex woman empowered to take control of her own destiny.

Leavened by an attractive soundtrack that includes the Carter Family’s well-placed “Single Girl, Married Girl” (and the Paul Simon song that gives the film its title), Obvious Child has a loud agenda that will be off-putting to some. Still, it’s a welcome counterpoint to the likes of Knocked Up and even Juno, where the abortion route is an apparent no-go. And despite its controversial topic, it manages to be desperately romantic—maybe the biggest shock of all.

Follow Tomris Laffly on Twitter: @TomiLaffly

By: Tomris Laffly


Release details

Rated: R
Release date: Friday June 6 2014
Duration: 83 mins

Cast and crew

Director: Gillian Robespierre
Screenwriter: Gillian Robespierre
Cast: Gaby Hoffmann
Jake Lacy
Jenny Slate

Average User Rating

5 / 5

Rating Breakdown

  • 5 star:1
  • 4 star:0
  • 3 star:0
  • 2 star:0
  • 1 star:0
NaN people listening
Alexis G

I love this movie. Jenny Slate's performance shines a well-needed light on the personal experience of choosing whether or not to get an abortion. It's the subversive comedy society needs regarding this subject because it puts the emotion in the forefront and pushes politics and controversy backward. The Brooklyn millennial vibe is used as a force to propel the plot: A thirtysomething Brooklyn-based stand-up comedian confronts her current life situation, biological-clock situation, etc., and comes to terms with the fact that her reality is okay after leaning on her friends and well-to-do doting parents for support. It’s worth the watch.