The sole instance of Hitchcock actually remaking one of his earlier movies, this replaces the British version's tight, economic plotting and quirky social observations with altogether glossier production values and a typically '50s examination of the family under melodramatic stress. Stewart and Day are the complacent couple whose son is kidnapped by spies, and who wend their way through a characteristically Hitchcockian series of suspense set pieces (including a virtuoso crescendo at the Albert Hall) in their attempts to recover him. Starting slowly amid colourful but rather superfluous travelogue-style Moroccan footage, the film improves no end as it progresses, with anxiety about the boy's safety steadily undermining the apparent happiness of a marriage founded on habit and compromise.
|Release date:||Friday June 1 1956|
Cast and crew
|Screenwriter:||John Michael Hayes|
Brenda de Banzie