1. Shakespeare's Globe Theatre (© Manuel Harlan)
    © Manuel Harlan
  2. Shakespeare's Globe Theatre (© John Wildgood)
    © John Wildgood
  3. Shakespeare's Globe Theatre (© John Wildgoose)
    © John Wildgoose

Shakespeare's Globe

  • Theatre | Shakespeare
  • South Bank
  • Recommended
Alex Sims
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Time Out says

What is it?

A painstakingly accurate recreation of the original Globe Theatre, built in 1997.

Built in 1599 and destroyed by fire in 1613, the original Globe Theatre was at the heart of London’s seedy entertainment district in William Shakespeare’s time. Here, productions were put on by the Lord Chamberlain’s Men, who included in their company old Bill himself. Although the theatre was rebuilt after the fire, it was eventually torn down in 1644, and as London’s entertainment centre moved west, this stretch of South Bank between Blackfriars and London Bridge was all but forgotten for generations.

Fast forward to 1997, when, following a decades-long campaign run by the late American actor Sam Wanamaker, the Globe was recreated near its original site. They used as much historical detail as could be found when designing the building in order to provide an authentic, Shakespearean experience with plays presented as close as possible to the kind of setting and conditions The Bard would have written for.

Compared to the seventeenth century version of the theatre, the modern day Shakespeare’s Globe only holds about half the capacity, but theatre-goers can still get a rich feel for what it was like to be a ‘groundling’ (the standing rabble at the front of the stage) in the circular, open-air theatre. The Globe Exhibition and Tour is open all year round and explores the life and work of Shakespeare and theatre in his time.

Why go?

Step into the shoes of an Elizabethan Londoner in this lovingly recreated theatre. 

Don’t miss:

A visit here isn’t just a history lesson. The theatre productions are among the best in London. Each season (spring to early autumn) includes several Shakespeare classics, performed by a company of established and upcoming actors, while works of other writers are also programmed. You can also see performances in the candlelit Jacobean indoor theatre: Sam Wanamaker Playhouse. Artistically, there’s a commitment to the Bard, but within that it’s one of London’s liveliest and occasionally most controversial theatres. The current artistic director is Michelle Terry, who has focused her efforts on diversity and actor-friendliness.

When to visit:

Daily 10am–4pm. Peak times at weekends. 

Ticketing info:

Exhibition and tour £30, under 16s £13.50. 

Time Out tip:

If you’re heading to the theatre for the tour why not stay to watch a play when the season’s in full swing? It’s simple and easy to queue for £5 standing tickets on the day of the performance, I’ve done it many times and never missed out on bagging a place. Standing for a three-hour-long Shakespeare play may seem daunting, but the atmosphere is unbeatable and in the thick of the action, the time goes by swiftly.

Find top theatre shows in London and discover our guide to the very best things to do in London.

Details

Address
21
New Globe Walk
Bankside
London
SE1 9DT
Transport:
Tube: Blackfriars/Mansion House/London Bridge
Opening hours:
Globe Exhibition and Tour daily 10am–4pm. Closed Dec 24 and 25. (Check in advance for dates when the tour is not available.)
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What’s on

Julius Caesar

Though the days when he directed a production of Measure for Measure in which the set entirely consisted of sex dolls are probably in the past (more’s the pity) Joe Hill-Gibbins is one of British theatre’s most consistently entertaining leftfield directors and it’ll be fascinating to see what he does with Shakespeare’s all-time classic Julius Caesar in the 26/27 indoor winter season. We know nothing about the production beyond its director, but that’s really enough to make it worth booking if you enjoy left-of-centre takes on the classics.
  • Shakespeare

Pinocchio

The Globe has been staging outdoor Christmas shows for some years now, and this adaptation of Pinocchio feels like the boldest expression of that: a full scale, full length musical that will ran outdoors through the darkest, coldest months of 2025 and is back for 2026 (admittedly the shows generally start a little earlier than standard). It’s written by Charlie Josephine – they of controversial bio-drama I, Joan – with songs by Jim Fortune. The musical is, of course, an adaptation of the story of Pinocchio, albeit explictly the batshit mental original Carlo Collodi version as opposed to the admitedly still pretty wild Disney take that represents its most famous incarnation. Sean Holmes directs.
  • Outdoor theatres

King John

Shakespeare’s history play about the troubled John ‘Magna Carta guy’ Lackland is one of his deepest cuts, little performed thanks to its odd mix of pageantry, convoluted politicking, and a subject who simply isn’t very famous these days (conversely the Victorians staged it a lot because they loved all those things). The Globe has only tackled it once before in the modern era and this production will be its Wanamaker debut. It’ll also be the Globe debut for its director Jaz Woodcock-Smith, whose history of imaginitive lo-fi productions suggests a quirky approach to all the royal pomp notionally baked into the play.
  • Shakespeare
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