Hello! I'm Andrzej, the theatre editor of Time Out London, and me and my freelancers review a heck of a lot of theatre. This page is an attempt to distil the shows that are on right now into something like a best of the best based upon our actual reviews, as opposed to my predictions, which determine our longer range what to book for list.
It isn’t a scientific process, and you’ll definitely see shows that got four stars above ones that got five – this is generally because the five star show is probably going to be on for years to come (hello, Hamilton) and I'm trying to draw your attention to one that’s only running for a couple more weeks. Or sometimes, we just like to shake things up a bit. It’s also deliberately light on the longer-running West End hits simply because I don’t think you need to know what I think about Les Mis before you book it (it’s fine!).
So please enjoy the best shows in London, as recommended by us, having actually seen them.
What is it? Gillian Anderson and Billy Crudup star in a stripped back, intense and gaspingly intimate in-the-round production of Edward Albee’s masterpiece.
Where is it? @sohoplace.
Why go? Stunning lead performances – particularly from Crudup – magnified by astonishingly intimate staging, where the leads are rarely more than a few metres away. It is sold out but do look online daily for returns.
What is it? Kimberly Akimbo is the long-awaited UK premiere of the cult hit US musical about about the eponymous schoolgirl who has a rare condition that makes her age four times faster than usual: she’s an old lady at 16.
Where is it? Hampstead Theatre.
Why go? The quirky magical realist premise is endlessly intriguing but not hammered home too aggressively; it’s made magical by a wonderful central performance from Maria Friedman and a genuinely belting songbook.
What is it? National treasure Paddington finally hits the stage in a lavish new musical with songs by Tom Fletcher and script by Jessica Swale.
Where is it? Savoy Theatre.
How much is it? £30-£160.
Why go? It’s a thoroughly delightful family musical packed with memorable characters, great jokes and delirious setpieces, but it’s the brilliantly realised title character that makes it – you’ll believe Paddington is in the room.
What is it? TOWIE meets Blasted by way of the Iliad in this breezily provocative fourth play from rising star playwright Ava Pickett, which takes the story of Helen of Troy and the Trojan War’s aftermath and transposes it to an Essex living room.
Where is it? Stratford East.
Why go? Pickett really is the best young writer out there: Bloodsport plays out like a theatrical feminist Tarantino and is much more outrageous than its premise suggests.
What is it? The RSC’s lavish stage adaptation of the Studio Ghibli classic is back for its third London run, and first time out in the West End.
Where is it? Gillian Lynne Theatre.
Why go? It’s a lovely – albeit very faithful – retelling of the beloved film, but it’s the spectacular puppet incarnations of furry forest spirit Totoro and whatever the hell the Catbus is that will really blow your mind.
What is it? Ntozake Shange’s 1976 choreopoem arrives at the Yard Theatre with all the love, rage, grief, humour and sisterhood that made it a landmark — and thematically, not nearly as dated as you’d expect.
Where is it? Yard Theatre.
Why go? Fifty years on, For Colored Girls still hits: it’s a thrilling collision of poetry, music and movement that takes a timelessly poetic lens to Black womanhood.
What is it? A big hit off-Broadway, this extremely goofy musical parody of James Cameron’s Titanic retells events from the perspective of the film’s real star: Celine Dion.
Where is it? Criterion Theatre.
Why go? Lauren Drew’s dotty, overbearing, perma-smiling Celine Dion is a truly wonderful creation, who lights up teh stage every second she’s on it. Things are a bit thinner in her absence, but it’s still a terrific laugh.
Not sure whether to shell out for that show? Find out what our theatre team made of London's new openings.
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