Occupying an 11.5 acre footprint, the Metropolitan Museum of Art, which opened in 1880, is impressive in terms both of quality and scale. However, this iconic New York attraction is surprisingly easy to negotiate, particularly if you come early on a weekday to avoid the crowds. Hang out in an Egyptian temple, gawk at period costumes and take pictures on the gorgeous rooftop garden, showcasing views of Central Park and the city skyline.
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The Metropolitan Museum of Art
Occupying 13 acres of Central Park, the Metropolitan Museum of Art, which opened in 1880, is impressive in terms both of quality and scale. Added in 1895 by McKim, Mead and White, the neoclassical facade is daunting. However, the museum is surprisingly easy to negotiate, particularly if you come early on a weekday and avoid the crowds. In the ground floor’s north wing sits the collection of Egyptian art and the glass-walled atrium housing the Temple of Dendur, moved en masse from its original Nile-side setting and now overlooking a reflective pool. Antiquity is also well represented in the southern wing of the ground floor by the halls housing Greek and Roman art, which reopened in 2007 after receiving an elegant makeover. Turning west brings you to the Arts of Africa, Oceania and the Americas collection; it was donated by Nelson Rockefeller as a memorial to his son Michael, who disappeared while visiting New Guinea in 1961. A wider-ranging bequest, the two-story Robert Lehman Wing, can be found at the western end of the floor. This eclectic collection is housed in a re-creation of his townhouse and features Bellini’s masterful Madonna and Child. Rounding out the ground-floor highlights is the American Wing on the northwest corner. Its Engelhard Court reopened in spring 2009 as part of the wing’s current revamp. Now more a sculpture court than an interior garden, it houses large-scale 19th-century works in bronze and marble—and one of its three fountains is by Tiffany.
"El Greco in New York"
This year marks the 400th anniversary of the death of El Greco (1541–1614), surely one of the most popular of the Old Masters, not only due to the devotional nature of his work, but also because much of it anticipated modern Expressionism (or, more accurately, influenced it).
Although Paul Cézanne’s wife was his most frequently painted subject, she’s been given short shrift by art historians, who have tended to focus on the artist’s still lifes, landscapes and figurative studies of bathers.
"Thomas Struth: Photographs"
These 25 photos by Struth, dating from 1978 to the present, are exemplary of the German artist's panoramic, empirical treatment of subjects, which range here from deserted New York streets to a robotically assisted surgery in progress.
"Warriors and Mothers: Epic Mbembe Art"
The Met brings together wood carvings created between the 17th and 19th centuries by the Mbembe people of southeastern Nigeria.