Opening Reception: Marilyn Minter: Pretty/Dirty

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Opening Reception: Marilyn Minter: Pretty/Dirty
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Contemporary Arts Museum Houston says
CAMH invites you to celebrate with us at the opening reception for "Pretty/Dirty," the major retrospective of artist Marilyn Minter. Admission is free and open to the public; cash bar on site.

About the exhibition
Minter’s works—from the oversized paintings of makeup-laden lips and eyes to soiled designer shoes—bring into sharp, critical focus the power of desire. As an artist Minter has always made seductive visual statements that demand our attention while never shirking her equally crucial roles as provocateur, critic, and humorist. "Marilyn Minter: Pretty/Dirty" features over 25 paintings made between 1976 and 2013, three video works, and several photographs that show Minter’s work in depth. The exhibition was co-organized by the Contemporary Arts Museum Houston and the Museum of Contemporary Art Denver.

From the beginning of her career, Minter has been embroiled in controversies over the relationship of her art to feminism, fashion, and celebrity. As her own profile as an artist interested in these vexed cultural intersections has grown, her work has risked looking as effortless as a mirror held up to the most supercilious aspects of today’s “bling”lifestyle. Yet Minter’s work is not merely a mirror of our culture, and this exhibition provides, for the first time, a critical evaluation of her practice as an astute interpretation of our deepest impulses, compulsions, and fantasies.

"Marilyn Minter: Pretty/Dirty" explores in detail the myriad image choices Minter has made as a painter and photographer, the evolution of her style and technique, and her mode of production, including her organization of an unusual studio of assistants trained to create hyper-real, sometimes dizzyingly painted surfaces. The exhibition illustrates Minter’s progress from a curious youth looking critically at the domestic landscape before her to the media-savvy cultural producer whose images simultaneously define and critique our times.
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By: Contemporary Arts Museum Houston

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