To say this album has an ’80s feel would be like saying Glastonbury festival is quite well known: you can hear a semblance of Human League, an echo of Pet Shop Boys and even a smidgen of early Madonna all fizzing around in the circuitry. Washy chords and synth stabs galore help to keep the retro electro-pop vibe alive, to the point where early single ‘The Mother We Share’ sounds like it’s just flown in directly from 1985 to say ‘hi’ before heading off again. But it’s the mixing of these influences with more modern electronica which makes ‘The Bones…’ stand out: they’re coupled with the slow and deliberate tempos and spacey atmospheres of newer acts like The Knife or The XX.
Although ‘Under The Tide’ pulls at the heartstrings, the award for best vocals on the album must go to ‘Recover’ – lead singer Lauren Mayberry’s heartfelt delivery makes her sound not unlike Robyn, the Scandinavian electro-pop songstress. Another highlight has to be the last track of the set, ‘You Caught The Light’, a bittersweet fusion of melancholy and mild euphoria.
There’s something bright and breezy about the album as a whole, too, as though the fresh air from the Highlands has seeped down into the city, through the synths and into the songs themselves. The poppiness of ‘The Bones…’ will appeal to many, but Chvrches’ more modern leanings keep them on the edgy side. Best of all, they sound like they have the potential to refine this sound and make it even greater. Expect to be hearing about Chvrches for some time to come – and believe the hype.
Mike Whyte, 39, is a teacher and musician from Shadwell. He was selected to write this review as part of the Time Out Takeover – a special edition of the magazine written entirely by our readers.
Buy this album here
What are your thoughts? Let us know in the comments box below or tweet us at @TimeOutMusic.
Read more album reviews
John Grant, Fetty Wap, Rudimental and Shopping
Kwabs, Battles, Ought and Duran Duran
The Libertines, Miley Cyrus, Max Richter and Dam-Funk