Count down our 50 favourite Christmas songs
Noddy Holder and his troupe of platform-wearers continue to blight our television screens each December with their frightening fashion sense. There’s a reason for that, of course. It’s the joyful simplicity of 1973’s ‘Merry Xmas Everybody’, which is guaranteed to inject that euphoric, slightly drunken, Christmas-love vibe into the festive season.
This super-charged ’60s garage rock tune reveals Santa for the nihilistic, no-nonsense ball-breaker he truly is. Lead singer Gerry Roslie drawls a list of Christmas requests (including a ‘twangy guitar’ and ‘cute little honey’). To which Santa responds: ‘Nothing, nothing, nothing, nothing, nothing, nothing, nothing, nothing’. What a badman.
If the idea of a modern-day Christmas song makes you recoil in horror, then you clearly haven't heard Leona Lewis' take on child-like pre-Christmas excitement. It's got everything a good festive fave should have: too many bells, a yearning twinge directed at a distant lover on their way home for Christmas Day and vocal acrobatics that you're bound to recreate after too many bubbles on the big day.
Joey Ramone’s plea to his lover to put their scrapping aside for the holidays is undoubtedly the punk Christmas anthem. Beneath its acquiescent lyrics, mind, is a typically fiery Ramones riff that’s more likely to fuel high tensions rather than ease them around a warring Christmas dinner table.
This funky-as-you-like number might sound like rare groove from ’60s America, but is actually the product of mid-’90s German band The Poets of Rhythm, playing under a different name. Who cares about the provenance, however, when the beats are this big?
The 1950 classic gets an early-’90s ethereal keyboard treatment courtesy of Scottish dreamers the Cocteau Twins. Singer Elizabeth Fraser could have plumbed the aching sadness of snowman existence but instead her vocals are all shimmering colours and dancing forest fairies. When the overlapping harmonies come in around 1:36 you know that this Christmas is going to be pretty magical.
You could just listen to this perfect slice of pure ’70s pop, from the tongue-in-cheek ‘ker-ching’ of a ringing till to the fade-out of a children’s choir and twinkling bells. You could do that. Or take the plunge into the strange acid trip of Wizzard live and witness Roy Wood’s haunted eyes set in a face dripping with snowy glitter. Scary Christmas.
This is Christmas cynicism at its most tuneful. Intended as a denouncement of the increasing commercialisation of the festive season, Greg Lake inadvertently crafted a folk-prog Christmas classic. Ironically, it’s now one of the go-to songs for cash-cow Christmas compilations.
It sounds like a take on the classic ‘it’s Christmas, I miss you’ theme, but Chrissie Hynde’s frosty ballad gets much sadder when you know it was written for the band’s guitarist James Honeyman-Scott, who had died the previous year. Honeyman-Scott’s replacement Robbie McIntosh pays tribute with some gorgeous arpeggios: the closest a guitar gets to the sound of snowfall.
Trivia fans take note: this is the only song ever to hit Christmas Number One twice, for two totally different artists. ‘Mary’s Boy Child’ was recorded first by American calypso star Harry Belafonte in 1956. His slow-and-steady, ultra-classy arrangement was a massive hit and it still delivers the Christmas magic nearly 60 years later. You’ll have to wait and see whether Boney M’s 1978 disco version can do the same.
This GOOD Music Christmas posse track serves up just about everything you’d expect from Kanye and Ko. Ye raps about unwrapping (removing the knickers from) his Christmas present, Jim Jones proposes we party till dawn and Big Sean says… well, not much at all. But with a slick soul-sampling beat from Hit Boy and bags of braggadocious charm, this is a head-bobbing holiday treat.
If you can’t be bothered to listen and find out, it turns out that singing carols, decorating the tree and, of course, being with his baby is what Christmas means to Stevie. Give it a listen anyway, though, because with that irresistible Motown swing and a harmonica solo thrown in this is (ahem) a cracker.
What makes Kelly Clarkson’s foray into festive music so charming is its homage to all things Christmassy. Following in the footsteps of Darlene Love’s classic, there are strings, orchestration and brilliant vocals. Then, underneath all that festive bombast, you’ll hear the jazzy rhythms of Bing and Frank, all tied together with enough bells to last you until next year. It’s a pastiche, sure, but that doesn’t stop it from being just as fabulous as the three wise men offering up gold, frankincense and myrrh.
Bells! Glockenspiel! Triangle! The sound of a man beating his chest! This upbeat instrumental (based on Prokofiev’s ‘Troika’) gives those lesser-used orchestra instruments the ultimate Christmas present by pushing them front-of-stage. It’s a fast-paced big band huzzah that’s just the thing to stir everyone out of their post-Christmas lunch lethargy.
Crammed full of sleigh bells and lyrically sparse it may be, but somehow indie rockers Low managed to do the unthinkable in 1999: create a genuinely cool Christmas song. 'Just Like Christmas' is a wistful, lo-fi, modern Christmas anthem.
Why listen to one Christmas classic when you could listen to a brass-blasting medley of nine? This classic brassy medley of Christmas faves – ‘Joy to the World’, ‘Good King Wenceslas’, ‘Jingle Bells’, ‘O Come All Ye Faithful’ and so forth – is a tune to correct your posture. ‘Classy Christmas’, it says. Think Waitrose. Think M&S.
Sure, muso Mike Oldfield likes to wig the hell out and muck about with screwball time signatures in his songs (remember: this is Mr ‘Tubular Bells’ we’re talking about here), but that doesn’t mean he’s a Grinch: just check this progtastic version of a traditional Christmas carol. Gone are the heavenly voices of the original, replaced with Mikey flexing his jazzy wig-out skills across what feels like 74 instruments. The results are all very jolly indeed.
The subject of this ballad is a young graduate who decides to go and make it on her own, only to find herself in a dead-end job and a mouldy flat. But with too much pride to face her family, she ends up spending Christmas alone, counting bed bugs. Like ‘Fairytale of New York’, this is Christmas music at its most poignant from the Californian synth balladeer.
Three greats touched this spectacularly cheesy song: Al Green, Annie Lennox and Bill Murray. Listening to this soulful cover from the ‘Scrooged’ soundtrack is like watching a great feelgood movie or eating a real buttery mince pie. Yeah, go on, put a little love in there.
It’s not just drizzle that gets The Weather Girls going. From the same album as ‘It’s Raining Men’ (and pulling all the same moves with a festive twist), ‘Dear Santa’ is a seasonal stormer that represents the grooviest Christmas list ever written. Bonus points for the ’fa-la-la-la-la’ backing vocals.
Following its release in 1957, this rockabilly ditty topped the Christmas charts five years in a row, making it a veritable holiday classic even by the early ’60s. Today it retains a towering presence in the Christmas canon, as synonymous with the holiday as tinsel and paper crowns.
This song proves that even jazz legends like Louis Armstrong get excited about Father Christmas paying a visit. Though the whizz of a whistle at the beginning and some big, full-bodied trumpets hint that maybe, just maybe, Louis might be expecting a different kind of night call.
If you’ve never been wassailing (think drunken mediaeval carolling) you’re really missing out. Blur make it sound like an absolute riot on this ultra-rare Christmas single from 1992. Christmas being the season of charity, even Dave and Alex get to sing a verse each. A copy of the seven-inch record will set you back about £300 these days: a perfect gift idea for the Blur fan who has everything.
This surreal encounter on Bing Crosby’s 42nd Christmas Special between The Thin White Duke and the good ol’ boy of American family TV has become the stuff of legend. After Dave mistakes Bing for a butler and Bing jibes at Bowie’s music taste, they launch into a medley of ‘The Little Drummer Boy’ and ‘Peace On Earth’. The results are... astounding.
Right from the opening piano chords (‘Jingle Bells’ gone bittersweet) you know this is going to be a Christmas song with a difference. ’Tis the season, but Joni’s feeling blue: she’s lost her baby (maybe Graham Nash) and all she wants to do is skate away, but that’s not easy when you’re spending Christmas in sunny California. It’s as painful and pitiful as anything she ever recorded. Happy Christmas?
No one does Christmas quite like our Sufjan. Not content with releasing a 42-track ‘Songs For Christmas’ album in 1996, this year he put out ‘Silver & Gold’ – a whopping 101-song collection celebrating Jesus’s birthday. Picking a favourite out of his festive back catalogue is tough, but we rate ‘O Come O Come Emmanuel’ – a reworking of the traditional favourite on ‘Songs For Christmas’ – as our favourite track. Sparse and haunting, but also uplifting, it’s a beautiful little call to rejoice.
A tribute to Phil Spector’s ‘wall of sound’, according to Elton and songwriting partner Bernie Taupin, ‘Step Into Christmas’ has proved to have at least some of the staying power of the super-producer: it’s been covered by both The Wedding Present and The Puppini Sisters.
Recorded at the height of his powers, Chuck Berry rolls out his characteristic frenzied twelve-bar blues in reverence of everyone’s favourite reindeer. Despite not even managing to break the top fifty when it was first released, it has become an enduring holiday favourite and spawned plenty of covers.
Ronnie Spector’s distinctive and sensual vocals could easily melt any Christmas snow. On this highlight from the classic Phil Spector Christmas album, she purrs about getting cosy under a blanket on a sleigh ride while her fellow Ronettes ‘ring-a-ling-a-ling-a-ding-dong-ding’ in the background. Spector’s arrangement may be full of trilling bells and clip-clopping hooves, but the melody’s irrepressible warmth hints at the fact that this song was composed (by light orchestral maestro Leroy Anderson) during a July heatwave.
With an injection of sass and unabashed materialism, Beyonce, Kelly and Michelle turned a cosy old holiday favourite into a bumping R&B Christmas carol for our times. A fine achievement.
Good old Macca. Whereas Lennon could be relied upon to make impressive political statements (when he wasn't laying about in bed all day), McCartney is the master of the charmingly naïve pop opus. This little ditty isn't going to shake up your festive paradigm, but it won't half stick in your head.
The godfather of funk gives Father Christmas his marching orders, insisting he head straight to the ghetto and ‘tell ‘em James Brown sent ya’. It may raise a smile, there’s something serious at the heart of this all-horns-blazing tune: JB wants the kids on the wrong side of the tracks to enjoy the sort of Christmas he never did.
In this hip-hop Christmas classic, Run raps about finding Santa’s wallet while DMC lets us in on the traditional festivities in Hollis, Queens. Pop it on during the Christmas Day wind-down when you too feel like ‘coolin’ and chillin’ just like a snowman’.
Owing to Justin Hawkins and the boys of the Darkness' kitchen sink approach to festive songwriting, this surprise Number 2 hit song has (somehow) stood the test of time. Really, ‘Christmas Time (Don’t Let the Bells End’) has it all: sleigh bells, singing children, tight-trouser vocals, protracted guitar solos, key changes and penis puns that could make Santa Claus blush. It is, as they say, as camp as Christmas.
A bit like the ‘Frasier’ theme tune, it’s impossible to listen to this version of ‘O Tannenbaum’ (from the soundtrack to ‘A Charlie Brown Christmas’) without doing the classic jazz lean-and-nod. Basically, press play and you’re suddenly cooler. This could be a good one to change up the vibe from Christmas lazing to some Christmas loving.
There are versions of this song by everyone from Bieber to Bublé, but Michael and the gang’s effort is the grooviest and the most fun. And since the song is mainly used as a bargaining tool by parents, it does make sense to have kids on the mic.
This loungey number about being stuck in Christmas traffic from husky-voiced housewives’ favourite Chris Rea has had surprisingly lasting appeal. Not only has it charted twice in the UK (reaching 53 in 1988 and 33 in 2007) but it even cracked Norway’s Top Three a few years ago. Clearly people of all generations and nationalities are able to enjoy this harmless slice of Christmas cheese.
Rat Pack star Martin recorded this version in 1959, fifteen years after it was originally sung by Frank Loesser and his wife at the end of a party – as a gentle suggestion that their guests should probably get going. The lyrics have caused some controversy (does the female companion really want to stay or is she being held against her will?) and this version offers little enlightenment, but by replacing the female part with a choir Dean gets himself out of some potentially hot water.
Being Jewish, songwriter Johnny Marks didn’t celebrate Christmas, but in the ’40s and ’50s he wrote some of the greatest Christmas songs of all time. Among them are ‘Rudolph, The Red-Nosed Reindeer’, ‘I Heard The Bells of Christmas Day’, and this – an easy-on-the-ear rock ’n’ roll tune sung by a 13-year-old Brenda Lee, which really needs no introduction.
Tina howls and growls her way through Christmas, R&B style, and tops it all off with a spirited freestyle nod to ‘Jingle Bells’.
Bob Geldof and Midge Ure’s 1984 reaction to the Ethiopian famine, with contributions from Phil Collins, Sting, Macca and Bono, was a publicity machine of epic proportions. It worked: ‘Do They Know It’s Christmas?’ stayed at the top spot for five weeks, and was the biggest UK chart success of the decade. Put that all aside, and it’s also just a great (and surprisingly unconventional) pop song.
At the beginning of this somewhat unlikely 1979 Christmas smash, you can hear the moment at which hip hop arrived. Interrupting a starchy recital of ’A Visit from St Nicholas’, Kurtis Blow launches into his own inner city yarn about Santa showing up to a Harlem Christmas party, producing a Yuletide classic – and rap’s first major label hit.
As we get older Christmas begins to feel like little more than an inconvenience, but this bouncy new wave gem reminds us to resist the impulse to scream ‘bah, humbug’ and simply go with it. It may be the end of a tiring year, you may even be facing the possibility of a Christmas dinner for one, but, one way or another, the festive spirit will see you through. And if this song’s stomping disco rhythm section doesn’t pep you up, nothing will.
Euphoric and scathing, as hopeful as it is resigned, John Lennon and Yoko Ono’s definitive festive peace-on-earth song has transcended its original anti-Vietnam War purpose to become a Christmas stalwart.
The power of Christmas nostalgia itself is greater than real memories. Hence, all of us can hark back with Bing on this Irving Berlin-penned ’40s number to a white Christmas just like the ones we used to know, even if our true past is full of crushing disappointments (December 25, 1993 – no Hornby train set).
It’s impossible to keep your cockles cool once this galloping soulful sleigh ride gets going. In typical Spector style, ‘Christmas’ is the sound of a huge group of people singing and playing their hearts out in one take. It radiates fellowship, community and togetherness and still manages to shine brighter than the star of Bethlehem.
When was the last time you properly listened to Kirsty MacColl and The Pogues’ epic Big Apple-set fable? Shut your eyes and give it a go, and if you aren’t a nervous wreck by the fade-out, your heart (like that jumper from your nan) is two sizes too small. ‘Fairytale…’ is a perfect four-minute narrative of hope, despair and heartbreak – and, despite the profanity, it ends with love.
A ballad of doomed romance, ‘Last Christmas’ features sleighbells and synths, plus some truly memorable knitwear in the video. But what really sets ‘Last Christmas’ apart is George Michael’s heart-on-sleeve delivery: his genuine heartbreak horror (‘My God! I thought you were someone to rely on’) and wistful, sexy whispers. The words ‘Merry Christmas’ never sounded so sultry.
It’s not the best-selling Christmas anthem (that’s Bing at number five) and heck, it didn’t even make it to Number One in the UK, but Mariah tops our list of the greatest ever festive songs for one good reason – it’s catchier than a Christmas cold. Originally released in 1994, this selfless plea to be with a loved one has everything: sleigh bells, pop hooks, the right balance of schmaltz and soul, and uplifting vibes strong enough to launch a jump-jet.
Sure, Wham! know their way around a chart-topper, but who wants to think about being jilted by an ex in the holidays? Darlene Love’s classic at number four shares a similar sentiment, but her bluesy howl can’t replicate the gaiety of Mariah’s falsetto. Nor can The Pogues’ rasping Shane MacGowan for that matter. The acid test of a great Christmas song is whether you get bored of it, and this one, we’re sure, is for life.