What The Civil Wars are doing, still, is singing. The second album got finished, with producer Charlie Peacock acting as interpreter. And here it is, with attendant ‘behind the scenes’ confessional video in which Williams (whose usual stagewear is a black cocktail dress and heels) curls her fingers round a gleaming wine glass, furrows her beautiful brow, and talks of how ‘great art is birthed from great tension’, while White (who favours a crumpled tux and Johnny Depp-fuzz and warmed rather less to their 2012 appearance on the BBC Breakfast couch) sits grumpily with a coffee in a diner and expresses relief at being able, at points, to crank up an electric guitar. If so inclined, you can read plenty into lyrics like ‘I wish you were the one that got away’ and ‘I wanna leave you, I wanna lose us, I wanna give up, but I won’t’.
But don’t expect to hear this personal push and pull transmitted in The Civil Wars’ sound. At best (as on opening tracks ‘The One That Got Away’ and ‘I Had Me a Girl’ and the barn roof-scaling ‘Oh Henry’) it’s still a slick, expertly hollered take on Alison Krauss and Robert Plant-esque he-says/she-says blues rock. At worst (as on ‘Eavesdrop’ and ‘Disarm’), it’s still a bland, whispery, Carpenters-sweet waft through MOR country cliches that sounds like the result of a speed-dating session on a Nashville songwriting course – which is exactly how Williams and White met back in 2008.
The so-called folk-rock revival dictates that we all get tremendously excited about anything with a twang in it, however unsubtly deployed. But The Civil Wars have always had another key attraction – the genuinely symbiotic relationship between Williams and Whites’ voices, which rise up and down in syrupy harmony, locked fast on each other’s eyes. Fans will be pleased to hear that, vocally, the pair are as suffocatingly entwined as ever. Others, pondering the real reason for the band’s indefinite collapse, might wonder whether, at the end of the day, they didn’t just irritate the shit out of each other. What are your thoughts? Let us know in the comments box below or tweet us at @TimeOutMusic.
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You haven't 'done' Soho until you've been to a gig at The Borderline, simple as. This much-loved venue with a loyal audience has given a platform to countless bands and artists throughout its long history – stretching back over 20 years – and is still going strong today, showcasing both new and revered talent. Head in for a gig on any given day and you could find yourself moshing to rock and metal, getting busy on the dancefloor at an indie club night or perhaps soaking up the sweet tone of a folk, blues or Americana singer-songwriter. It can get a little cramped when the 275-ish capacity fills up, but that's all the better for creating an intimate atmospherewhere between artist and audience, and means you won't have to worry about elbowing your way to the front past thousands of people. A Soho musical institution. We were there when The Borderline reopened in March 2017: