Awesome Halloween costume? Check. Amazing snacks made to look like eyeballs/intestines/skulls? Check! Pumpkin carved with teeth that look like the NYC skyline? Check! One of the best horror films of all time cued up on the TV? Check! But what’s that? You say you don’t have a mind-meltingly amazing playlist of the best Halloween songs for your shindig? You don’t have a selection of too-ghoul-for-school music to groove to as you pull on your slutty-Ewok outfit? Fear not! We have lovingly selected the best Halloween music ever recorded, including the best pop songs from Michael Jackson, creepiness galore from Nick Cave and, of course, “The Monster Mash.” In short? All "Thriller." No filler. For younger crowds, check out our list of Halloween songs for kids.
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“I’m not like other guys,” Michael tells his girl at the beginning of the greatest video ever made, from the greatest album ever made. Did we realize how prescient that statement would be in 1982? So much of “Thriller” shouldn’t work—MJ is a doll, 71-year-old Vincent Price raps, and it’s six minutes long. But together, it’s ballsy genius, riding on an insistent, funky Minimoog bass line. “I wish to stress that this film in no way endorses a belief in the occult,” Jackson wrote concerning the video. No, but the Elephant Man bones and chimp did.—Brent DiCrescenzo
Arguably one of the original Halloween songs. Inarguably one of the greatest. Hawkins’s tune—which he claims to not remember recording—permanently added the “Screamin’” to his God-given name. “Before, I was just a normal blues singer. I was just Jay Hawkins, (but) I found out I could do more destroying to a song by screaming it to death.” He found out he could also do more if he appeared out of a coffin on stage in a black cape, tusks coming out of his nose, accompanied by a cigarette smoking skull sidekick named Henry. A rare remix by KCRW’s Jeremy Sole.—Christopher Tarantino
Donovan never explains quite what he means by a “season of the witch” in this five-minute foray into ominous psychedelia, from the British singer-songwriter’s 1966 album, Sunshine Superman. But a shiver of paranoia runs through the song’s depiction of identity flux (“So many different people to be”) in a world gone topsy-turvy (“Beatniks are out to make it rich”), and the guitar part—played by a pre-Zeppelin Jimmy Page—adds welcome notes of acid.—Adam Feldman
These rockabilly goths were always a B-movie for your ears, so it was inevitable that Lux Interior and Poison Ivy would end up on the soundtrack to a campy slasher flick. In 1985, Return of the Living Dead popularized the notion of zombies chomping brains. In the movie, a bunch of punks battle the undead—but the Cramps have a hard time choosing a side. When Interior sings “Run run run run!” it sounds just like a chain saw itching to rip through necrobiotic flesh. But in the end, he makes it seem more fun to be one of the rotting.—Brent DiCrescenzo
Rocky Horror Picture Show might be a musical, but it’s still a spooky essential. No self-respecting Halloweenie hasn’t experienced the toast-tossing, costume-clad, line-ad-libbing extravaganza at least once. And with a jump to the left plus a step to the right, you can thank Richard O’ Brien for cooking up the movie’s party-favorite “Time Warp” dance.
Okay, so technically this song is about unemployment, inner-city violence and urban decay, not decaying flesh. But the 1981 hit, released at the height of the U.K.’s recession riots, still creeps us out in the very best way, with eerie flute solos, ominous lyrics and maniacal, childlike la-la-las—plus some pretty spooky synth fades.—Kate Wertheimer
Hard to believe the original Ramones are all dead. By 1989, the punks’ career was nearly six feet under. But this toe-tapping title track from a hit horror film, a bite-size Snickers with a metal shard inside, put the New Yawkers back on MTV, introducing a new generation to the leather-wrapped Phil Spector fanatics who looked like motorcycle zombies. If only Stephen King’s resurrecting graveyard were real—we miss these buffoons.—Brent DiCrescenzo
Recently this iconic theme-song synth riff transcended from a well-known nostalgia artifact to a staple of modern meme culture. So despite these sounds being lifted from a beloved ‘90s TV show, it's all the more relevant for celebrating with millenial crowds this spooky season. And don't be mistaken—this isn't some orchestral party-pooper. This is the chart-topping trance remix written and released by the original composer in 1996. Expect it to bring every "I want to believe-r" to the dancefloor.
French 1970s musical icon Marc Cerrone created this frightening (for then at least) vision of a not-too-distant sci-fi future where escaped mutant creatures created in a lab to end human starvation have rebelled against their makers to disastrous effect for all. Basically sci-fi disco for the Studio 54 set, this track is the greatest statement on that brief genre. Period. The video (and album artwork) are also stone-cold classics. Ask your parents.—Christopher Tarantino
If Rockwell (real name Kenneth Gordy, son of Motown founder Berry) shivered at Big Brother's glare in 1984, one can only imagine what he'd make of the Internet age, where the government, news media and rogue hackers are all equally likely to be keeping tabs on you. The “Thriller”-esque hook comes courtesy of Rockwell’s buddy Michael Jackson, a good dude to have on speed-dial, though I’m not sure how much help he’d be if you're looking for someone to check for monsters in the closet.—Andrew Frisicano