Jumaane Smith With Skerik's Bandalabra

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Jumaane Smith With Skerik's Bandalabra
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The White Eagle says
Jumaane (JEW-MAH-KNEE) Smith, trumpeter and vocalist, has already done what most musicians spend their lives dreaming about. He's traveled the world, played stages in historic clubs, in massive stadiums and at cultural landmarks, recorded a solo album, appeared on national television and performed for two sitting U.S. presidents. His collaborations range from pop idols to jazz legends, and the list reads like a lineup for the best New Orleans Jazz Fest ever. He's worked with Stevie Wonder, Quincy Jones, Michael Buble', Jackie Evancho, Alicia Keys, The Jonas Brothers, Wyclef Jean, Justin Bieber, Diddy, Natalie Cole, James Ingram, Wynton Marsalis, Ravi Coltrane, Chris Botti and many more.
He will be joining Skerik’s Bandalabra for the evening.

Skerik's Bandalabra is composed of four Seattle musicians: Skerik-sax and was named "Alternative Jazz Group of the Year" - 2012 Golden Ear Award (Earshot Jazz - Seattle, WA)

The group's message is rhythm, Fela meets Steve Reich in rock's backyard. Dance and listen.

Skerik, the endearingly saxophonic, punk jazz iconoclast, introduces his latest project Bandalabra. Joining him are three of his fellow Seattle hometown's most revered players: Andy Coe on electric guitar, Evan Flory-Barnes on upright bass and Dvonne Lewis on drums. In Skerik's words, Bandalabra is intended to conjure the sounds of "Fela Kuti meeting Steve Reich in rock's backyard." A bold assertion, but one for which the music bears witness. Together, the quartet syncopates and snakes, floats free and snaps tight with hypnotic afrobeat rhythms, minimalist canons and improvised harmonics. There's a duality that demands listeners both dance communally and get lost in their daydreams. On their debut album 'Live At The Royal Room,' captured at the band's first ever public performance, the foursome head into the deep unknown, creating music in the moment for over 60 minutes straight. Halfway through the evening, they hit upon the illest of psych grooves, one later dubbed "Beast Crusher." Here the visceral and cerebral become one, the music explodes into the Northwest

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By: The White Eagle

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