Behemoth & Cannibal Corpse Live In Seattle

BEHEMOTH! Cannibal Corpse Aeon Tribulation Tuesday, February 10, 2015 El Corazon 206-262-0482 109 Eastlake Ave E, Seattle, WA 7:30pm (doors open at 7pm). All Ages. $27.50 advance tix from Cascade Tickets. $30.00 at the door. ABOUT BEHEMOTH-- BEHEMOTH have set "Evangelion" as the title of their ninth hell breaking opus. A Greek word meaning "spreading the good news" or "spreading the words of God", its use is often related to biblical stories of the salvation of mankind, the sacrificial death of Jesua and his later resurrection. BEHEMOTH choose to use the word in it's purest, etymological context, without any Christian connotations - the time of spreading good news has come indeed. This is the Evangelion Of The New Eon. Representing a whole new spectrum of strength, creativity and determination, "Evangelion" is the album to undoubtedly lead this Polish mob to the peak of the extreme metal genre. Always a band for disrespecting the boundaries of self-limitation (indeed, evil has no boundaries), these metal luminaries have returned with fury and vengeance. Recorded in the band's hometown Radio Gdansk studio with Wieslawscy Brothers and Daniel Bergstrand (drums) in the producers chair, and a stunning mix courtesy of the legendary Colin Richardson (Machine Head, Slipknot, Carcass), the final result is a beast of an album, and one that will tear any competition to shreds. Expectations are high for BEHEMOTH with what many are citing as their breakthrough album. Indeed, the band have already stolen a Golden God at this year's Metal Hammer Awards for "Best Underground Band", as well as securing first place in Terrorizer's readers polls ("Best Live Band", "Best Vocalist", Best Drummer"). But this is not an overnight success story. BEHEMOTH have been together for close to 19 years now. Formed by a teenage Nergal in 1991, BEHEMOTH quickly made a name for themselves in black metal circuits with early cult releases "Sventevith (Storming Near the Baltic)", "...And The Forests Dream Eternally" mini CD, and "Grom". Third full length "Pandemonic Incantations" saw the addition of drum monster Inferno, at which point the band started to realise their full potential. Slowly evolving with increasingly impressive musicianship and songwriting, as well as ever-imporoving production values, the band amassed a solid and dedicated fanbase with such highly acclaimed albums as "The Apostasy" and "Demigod", as well as some very high profile tours, including runs with acts such as Dimmu Borgir, Deicide, Amon Amarth, Opeth, In Flames, Trivium, Morbid Angel, Chimaira, and, most notably, 2007's Ozzfest where the band's unrelenting energy, savage brutality and uncompromising vision made them the breakthrough artist of the tour. In support of their 9th full-length, BEHEMOTH will be hitting the road with Slayer and Marilyn Manson as part of the Rockstar Energy Mayhem Festival tour, the hottest US tour of the summer, and one that is bound to see them increase their dedicated fanbase even further. Out to consistently push the envelope and top previous efforts, BEHEMOTH have with "Evangelion" delivered an extreme metal masterpiece set to drop the jaws of all who hear it. Stay tuned and beware - Evangelion is here! ABOUT CANNIBAL CORPSE-- Formed in 1988, Buffalo born/Tampa raised Cannibal Corpse helped found, manipulate and transcend the very boundaries of death metal beginning with the scandalously controversial debut, Eaten Back To Life. Raising the eyebrows of inquisitive metalheads and incensed parents and politicians, the record -- produced by Scott Burns at the now renowned Morrisound Studios -- was more extreme and confrontational than anything the metal genre had ever known. As a result of the band's brilliantly gruesome cover art, grisly lyrics and song titles like "Hammer Smashed Face," "Meat Hook Sodomy" and "Addicted To Vaginal Skin," follow-up records Butchered At Birth (1991) and Tomb Of The Mutilated (1992) were met with further contempt by the likes of such organized censorship leagues as the PMRC. In just three years, the sale of Cannibal Corpse merchandise was (temporarily) prohibited in Australia, Korea and New Zealand (in fact, the sale of Butchered At Birth and the performance of those three records is still forbidden in Germany). But dissuaded they were not. Proving technical dexterity, diabolic vocal grunts and a penchant for serial killers, zombies and gore of all shapes, sizes and textures, Cannibal Corpse won over the hearts of many a metal extremist and have since become a harrowing household name. Since the bands inception they have sold millions of albums world wide and show no sign of slowing or bowing down to the ever changing metal genre. Massive tours throughout the U.S. and Europe as well as Australia and South America only underscored the band's staying power...and all this with zero commercial radio presence and minimal video play (although the band did appear in the Hollywood blockbuster, Ace Ventura -- Pet Detective). The momentum continued with the 1996 release of Vile, the first Cannibal record to feature former Monstrosity throat George "Corpsegrinder" Fisher following the departure of Chris Barnes. Any skepticism over the new voice behind the mighty Corpse was quickly put to rest. Simply put, Vile slayed from beginning to end and became the first ever death metal record to enter the prestigious Billboard charts. Over the next few years, relentlessly touring, bolstered musicianship and progressively more potent recordings saw the band increase in popularity within the underground and beyond. After the mass success of 2004's The Wretched Spawn and some personnel changes (longtime guitarist Jack Owen fled the band in 2004 to carry on his commitments with his rock project, Adrift. Origin axe-master Jeremy Turner filled in for the band during their remaining tours that year before Malevolent Creation/Hate Plow/Solstice guitarist Rob Barrett, who played on Cannibal Corpse's infamous releases The Bleeding and Vile records, rejoined the band as a fulltime member.), Cannibal Corpse has returned to the Death Metal frontlines with the pungently eloquent majesty that is Kill. Simply titled but meticulously assembled, Kill was recorded with producer Erik Rutan (Hate Eternal/ex-Morbid Angel) at Mana Studios in St. Petersburg, Florida. The tenth record of their storied career, each track basks in its own claustrophobic abrasiveness and maniacal subject matter. From the onset of the fiery "The Time To Kill Is Now," guitarists Barrett and Pat O'Brien, vocalist George "Corpsegrinder" Fisher, bassist Alex Webster and drummer Paul Mazurkiewicz pummel with a renewed sense of urgency. Fast, furious and scrupulously timed, the tune is a palpable reminder that Cannibal remains a force to be reckoned. "Make Them Suffer" sears with an old school Possessed vibe (a band to whom Cannibal has paid homage to on several occasions), while "Necrosadistic Warning," replete with a barrage of blistering solo work by O'Brien whose guitar deftness is often underestimated, comes riddled with visions of zombies sexually gratifying themselves with the body parts of the beings they've slain. Other tracks like the telling "Five Nails Through The Neck," "Death Walking Terror," "Brain Removal Device" and instrumental closer "Infinite Misery" see the five-piece at their most cogent, both lyrically and musically. Older, wiser, and as malevolent as ever before, the time to Kill is now!