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10 films that will make you sing and dance

These films will make you want to tap dance.
By Joan Park |

A movie with good songs or dance moves in it never gets old. Take "Por una Cabeza" in Scent of a Woman or "When I Fall in Love" in Sleepless in Seattle for example. No wonder La La Land swept awards despite the not-so-innovative plot. We love music and dance, good ones espeically. Here is a list of some of the best movies with epic singing and dancing scenes. If you know the tune, don't hesitate to hum along.

Dale Robinette

La La Land

The young writer-director Damien Chazelle has followed his Oscar-winning drama 'Whiplash' with another entirely novel film steeped in the world of music. His soaring, romantic, extremely stylish and endlessly inventive 'La La Land' is that rare beast: a grown-up movie musical that's not kitschy, a joke or a Bollywood film. Instead, it's a swooning, beautifully crafted ode to the likes of Jacques Demy's 'The Umbrellas of Cherbourg' and Stanley Donen's 'Singin' in the Rain' that plays out in the semi-dream world of Los Angeles and manages to condense the ups and downs of romantic love into a very Tinseltown toe-tapping fable.


영화 씽


This delightful animated feature from the studio behind the Minions movies takes a tired-sounding idea – a comedy set around a talent contest – and turns it into something winning and witty. ‘Sing’ is fast and frenetic, dashing from character to character, song to song. Our hero is a koala, Buster Moon (voiced by Matthew McConaughey), a throwback theatre owner-cum-producer down on his luck. With the help of his ageing female assistant, a lizard (voiced by the film’s writer-director Garth Jennings), Buster initiates a singing contest in an attempt to save his crumbling theatre. But a clerical error bumps the prize money up from $1000 to $100,000, and suddenly every singing beast in town is queueing at his door for a chance of winning the cash.



오페라의 유령

The Phantom of the Opera

Andrew Lloyd Webber’s take on the old Gaston Leroux chiller blunders ludicrously between every possible stool.

One of the stage musical’s strengths was the sheer theatricality of overcoming stage limitations. On film nothing’s impossible so it’s correspondingly hard to make an audience gasp. It’s not so hard to make them laugh, though: even a sympathetic preview house sniggered when the hideously deformed phantom’s mask was torn from his face to reveal – gasp! – a case of nettle rash and a broadish nose of the type considered endearing on an adolescent Hayley Mills.

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