1. Mitsubishi Ichigokan Museum, Tokyo | Time Out Tokyo
    Photo: Mitsubishi Ichigokan Museum, Tokyo
  2. Mitsubishi Ichigokan Museum
    Mitsubishi Ichigokan Museum, Tokyo

Mitsubishi Ichigokan Museum, Tokyo

  • Art
  • Marunouchi
Advertising

Time Out says

When it was originally built, the Mitsubishi Ichigokan was the first western-style office building in the Marunouchi area. Completed in 1894, the building was designed by British architect Josiah Conder on an invitation from the Japanese government, still newly formed after Japan’s opening to the West. At the time it bustled with activity, containing, among other things, the banking division of the Mitsubishi Company. By 1968, however, it had become dilapidated and was demolished. In 2010, after more than 40 years of silence, the Mitsubishi Ichigokan was reborn on the same site as a major new museum, rebuilt according to Conder’s original plans.

Details

Address
2-6-2 Marunouchi, Chiyoda
Tokyo
Transport:
Tokyo Station (JR, Marunouchi lines), Marunouchi South exit
Price:
Admission varies by exhibition. Discount campaigns: ï¿¥200 off for repeaters; every 2nd Wed of the month the admission fee for women changes to ï¿¥1,000 after 5pm and the museum opens until 9pm.
Opening hours:
10am-6pm (Fri and 2nd Wed 10am-9pm; until 6pm if Fri is a national holiday), admission ends 30 mins before closing time. Final week of exhibitions Mon-Fri 10am-9pm / closed Mon (except for holidays or final week of exhibitions).

What’s on

Artists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso

The Mitsubishi Ichigokan Museum, Tokyo’s summer exhibition centres the café as one of the most vital laboratories of modern art. In late 19th-century Paris, cafés, cabarets and dance halls became informal studios and debating chambers, where artists such as Manet and the future Impressionists exchanged ideas, challenged conventions and distanced themselves from the authority of official salons. Art, for the first time, began to mingle with the rhythms of everyday urban life. Through approximately 130 works, the exhibition charts how these spaces shaped new artistic sensibilities. Paintings and prints by Van Gogh, Toulouse-Lautrec and their contemporaries reveal cafés as sites of pleasure, isolation and observation – places where modernity’s contradictions came into focus. The narrative then extends beyond Paris to Barcelona, where in 1897 the Catalan artist Ramon Casas opened Els Quatre Gats (‘Four Cats’), inspired by Montmartre’s famed Chat Noir (‘Black Cat’). The café became a creative hub for a young Pablo Picasso, whose encounters with its bohemian atmosphere would feed directly into the emotional intensity of his Blue Period. A particular highlight is Casas’s Madeleine, a masterpiece shown in Japan for the first time in 35 years. Together, the works illuminate how the café functioned as a catalyst for some of the most enduring innovations in modern art.
Advertising
Latest news