Minami Tada (1924–2014) was a quietly radical figure in post-war Japanese art whose practice unfolded across sculpture, relief, lighting and architectural space. Working at the intersection of art, design and emerging industrial technologies, Tada developed a distinctive visual language that embraced transparency, reflection and light – materials and phenomena closely tied to Japan’s rapid economic growth. As a pioneering female artist operating in a male-dominated field, her work anticipated many later conversations around spatial perception and the expanded field of sculpture.
From August 29 to December 6, the Museum of Contemporary Art Tokyo presents the artist’s first solo exhibition in Tokyo in 35 years. This long-overdue retrospective traces the arc of Tada’s career, from early paintings to her most emblematic sculptural works, as well as large-scale pieces created for architectural settings. Drawing on industrial materials and contemporary technologies, her works explore how light interacts with form and space, producing effects that shift with the viewer’s movement.
The exhibition also includes archival materials that shed light on the artist’s process and intellectual context, situating her practice within broader developments in post-war Japanese art and design. At a moment when interest in overlooked modernist figures is growing both in Japan and internationally, ‘Tada Minami’ offers a timely reassessment of an artist whose work feels strikingly current. Elegant, experimental and forward-looking, the exhibition reintroduces Tada as a vital voice in the history of contemporary art.
