Kyuyoh Ishikawa, born 1945 in Fukui prefecture, has truly dedicated his life to Japanese-style calligraphy. This encompasses not only research and criticism, in his capacity as a professor at Kyoto Seika University, but also the creation of a vast body of calligraphy work that has helped keep the art form vibrant and contemporary.
This exhibition is a comprehensive overview of Ishikawa’s own calligraphy, comprising around 300 works divided between the show’s two month-long parts (first half, June 8–30; second half, July 3–28). These creations convey how, from the earliest days of his career, Ishikawa has sought to avoid the constraints of tradition. As demonstrated by pieces seen in the exhibition’s first half, many of which are based upon classic tales such as ‘The Fifty-five Tales of Genji’, this was the case even when he was working with the earliest elements of the Japanese literary canon.
The second half of the exhibition, meanwhile, is based upon Ishikawa’s own assertion that calligraphy is not simply the writing of characters: rather, it is a means of expressing words. This notion is explored through work whose inspiration ranges from haiku poetry to the chaos of the modern world. Exhibited during this time is one of Ishikawa's most renowned pieces from his Gray Period, an 85m-long work inspired by religious text.
The exhibition is closed July 1-2.
