1. 国立近代美術館
    Photo: The National Museum of Modern Art, Tokyo
  2. 国立近代美術館
    国立近代美術館
  3. 国立近代美術館
    国立近代美術館
  4. 国立近代美術館
    国立近代美術館

The National Museum of Modern Art, Tokyo

  • Art
  • Takebashi
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Time Out says

This is an alternative-history MoMA, one consisting mostly of Japanese art from the turn of the 20th century onwards. The 1969 building was designed by Yoshiro Taniguchi (father of architect Yoshio Taniguchi) and has been renovated several times. Its location next to the moat and walls of the Imperial Palace makes it a prime stop for viewing springtime cherry blossoms and autumn foliage.

Details

Address
3-1 Kitanomaru Koen, Chiyoda
Tokyo
Transport:
Takebashi Station (Tozai line), exit 1b
Price:
¥500, university students ¥250; evening discount Fri and Sat from 5pm, ¥300, university students ¥150. Free for high school students or younger and people aged 65 or older. Free admission on the 1st Sun of every month, May 18 and Nov 3.
Opening hours:
10am-5pm Tue-Thu, Sun; 10am-8pm Fri, Sat. (Admission ends 30 mins before closing time) / closed Mon (Tue if Mon is a holiday), Dec 28-Jan 1

What’s on

Anti-Action: Artist-Women’s Challenges and Responses in Postwar Japan

In the 1950s and 1960s, Japanese women artists briefly rose to prominence within the avant-garde, their work shaped by the influx of the abstraction-heavy Art Informel movement from Europe. Yet as ‘action painting’ in the style of Jackson Pollock, with its emphasis on bold gestures and physical force, gained ground, women’s contributions were increasingly sidelined. The notion of ‘action’ was closely aligned with masculinity, reinforcing traditional gender hierarchies and leaving many female painters absent from critical discourse. This winter exhibition at the National Museum of Modern Art, Tokyo seeks to reframe this narrative. On show from December 16 to February 8 2026, ‘Anti-Action: Artist-Women’s Challenges and Responses in Postwar Japan’ revisits a pivotal yet overlooked chapter of Japanese art history. Inspired by Izumi Nakajima’s acclaimed study Anti-Action: Post-War Japanese Art and Women Artists (2019), the exhibition highlights alternative strategies of creation that challenged the dominant ethos of their time. It features approximately 120 works by figures such as Yayoi Kusama, Atsuko Tanaka, Hideko Fukushima and Aiko Miyawaki, alongside lesser-known contemporaries.  Through rare and unpublished works, immersive large-scale installations and fresh scholarly perspectives, ‘Anti-Action’ reveals how these artists redefined the possibilities of art beyond the parameters of physical action, and how their legacies continue to resonate today.
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