This autumn, the National Film Archive presents the first comprehensive retrospective dedicated to one of Japan’s most inventive and genre-defying filmmakers. Yoshimitsu Morita (1950–2011) began his career in 8mm films and made a lasting mark on Japanese cinema with works like The Family Game (1983) and The Black House (1999), embracing comedy, horror, courtroom dramas, period pieces and more.
The exhibition offers an opportunity to step right into Morita’s imaginative world. Visitors can explore recreations of the iconic dining room from The Family Game and of the director’s personal study, plus a gallery of his cherished vinyl records. Posters, props, annotated scripts and idea notebooks showcase the full range of the Shonan native’s creative process, while video installations trace Morita’s career from its indie roots to commercial success.
Running alongside the exhibition, a special programme (October 14–November 23) will screen key works from Morita’s filmography, including lesser-known titles and collaborations. Deaths in Tokimeki (1984), Keiho (1999) and Kiriko no Fukei (1998; written by Morita and directed by Tomoyuki Akaishi) will be screened with English subtitles. A series of talks featuring producer Kazuko Misawa and cultural commentator Utamaru will offer further insight into Morita’s legacy.