Auto Feeling

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Katzman Contemporary says
AutoFeeling

On View:
July 18 to August 8, 2015
@ KATZMAN CONTEMPORARY

Opening Reception:
Saturday, July 18
from 2 – 5 p

Featuring artwork by: Steven Beckly, Simon M. Benedict, Patrick Cruz, Brandan Doty, Erika Dueck, John Haney, Maegan Harbridge, Minwoo Lee, Paul MacIntryre, Maegan Rose Mehler, Janine Miedzik, Jasmine Reimer, and Ambera Wellmann

AutoFeeling educes a split-motivation – automatic and involuntary, regular and repeated, mechanical and habituated … it looks like breathing, it sounds like hearts beating – conversely, yet somehow equally, it is also the state of unconsciousness, an inability to forecast. To work under the condition of an AutoFeeling is to investigate by Feeling. As an immediate sense and sensibility, AutoFeeling is an intuitive understanding – fluid like a mood, it is subject to fluctuation.

Each work in this exhibition displays openness towards intention and desire as a means of surrendering control within the ritual of making. Some works are brashly expressive: bent metal, dripped paint, and crumpled duct tape; crooked effigies, streaked and erased, rude and rough, composed of fragmented and seemingly illogical objects whose immediate associations are uncertain. Others are meticulously rendered: delicate, skilled strokes revealing figurative accuracy and sensual patterns; seamlessly conjoined collages; and prosaic photographic captures. The inquisitiveness on display in this exhibition speaks to a dedication in experimentation.

A catalogue accompanying the exhibition, including an essay by Jasmine Reimer and Aaron Weldon, will be available through Katzman Contemporary.

For additional information, or to inquire about this exhibition, please contact us at info@katzmancontemporary.com.

KATZMAN CONTEMPORARY
86 Miller Street
Toronto, Ontario, M6N 2Z9
416-654-9515
info@katzmancontemporary.com
www.katzmancontemporary.com

Hours:
Tuesday to Thursday 11 – 4:30 p
Friday to Saturday 11 – 6 p
or by appointment

This exhibition is presented with the support of the School of Fine Arts and Music, University of Guelph.
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By: Katzman Contemporary