1/10© Major Lazer
'Pon De Floor' – Major Lazer
The track that broke Major Lazer (Diplo and Switch) beyond geeks and blogs, with Queen Bey sampling 'Pon De Floor' on 'Run the World (Girls)'. This sums up Major Lazer smashing and grabbing from here, there and everywhere, and fashioning a brazen, cartoonish anthem from soca drums, gurgling electronic effects and Vybz Kartel – who’s currently serving life for murder – beseeching ladies to hit the dancefloor.
'Booo!' – Sticky featuring Ms Dynamite
A stone-cold UKG classic: 'Booo!' is an example of grimy garage and showcases Ms Dynamite’s colossal talent as she gracefully eases between fast chat and a silky R&B-style chorus over a stripped-back, rolling, Sticky production. To see a young woman at the forefront of a male dominated MC scene makes 'Booo!' all the more sweet. The bass drop on this is beyond epic. Ms Dynamite will be at the Boxfresh Presents: Rinse 20 (Rinse FM's 20th birthday celebrations) at the Rough But Sweet Soundsystem.
'Original Nuttah' – Shy FX & UK Apache
Summer '94 was the summer of jungle – the moment when a uniquely London sound burst out of the rave scene and began to capture the imagination of young London. Shy FX & UK Apache’s Original Nuttah ruled that year’s Carnival – its bristling intensity, unlikely fusion of breakbeat rave with dancehall reggae, and British Asian UK Apache’s ragga-chat and sing-jaying, symbolised multicultural London. Rough, tough, yet sing-a-long, a sea of Carnival ravers belting out ‘Bad boys in a London, rudeboys in-a England’ is a bona fide spine-tingler.
'Pow! (Forward)' – Lethal Bizzle
'Pow! (Forward)' is golden age grime in all its rowdy, raucous glory as a mob of MCs each unleashes un-PC fire (‘I’ll bring armshouse to your mum’s house’ is probably its most tame line) over a tumultuous, propulsive D’Explicit riddim. Famously banned in clubs in and around 2004, 'Pow!' induces pure and utter mayhem within seconds of its intro, and is probably the most ferocious and knockout Carnival anthem of them all.
'Police and Thieves' – Junior Murvin
Junior Murvin’s 1976 'Police and Thieves' (produced by Lee Scratch Perry) struck a chord with Carnival’s reggae soundsystems and revellers who suffered heavy-handed policing during the 1970s and 1980s. Murvin’s sweet, searching falsetto connected with working class youth across Britain – indeed, 'Police and Thieves' is credited with introducing reggae to punk rockers and was covered by The Clash.
'Sound of da Police' – KRS One
You wouldn’t want to be in a police officer’s shoes when this is dropped at Carnival. Instantly recognisable, KRS One (AKA The Teacher) rages against police harassment with barely concealed contempt. The stomach-churning boom bap production, bellow-a-long chorus and KRS One’s no nonsense message – likening police officers to plantation overseers – makes for high drama.
'You Don’t Love Me (No, No, No)' – Dawn Penn
Dawn Penn originally recorded this as a rocksteady single in 1967 and came out of retirement to re-record an updated version in the early 1990s, when it become a worldwide hit. As the current day popularity of choirs indicates, group singing is good for the soul and although it’s a song about heartbreak, 'No, No, No' serves this purpose quite brilliantly. Penn recorded an exclusive version for Lewisham’s Saxon Sound, the pioneering soundsystem who gave us Tippa Irie, Papa Levi, Smiley Culture (RIP) and Maxi Priest.
'Welcome to Jamrock' – Damian Marley
‘Out in the streets, they call it muuurdaaa’ – Damian Junior Gong Marley continues reggae’s unparalleled ability to capture everyday struggle, through a contemporary roots reggae anthem that has been a Carnival staple since 2005. Heartfelt, conscious lyrics married to rumbling, heavyweight production thrill and compel in equal measure. Last year Damian Marley performed at Carnival at RBMA’s Soundsystem stage and with Saxon Sound.
‘Hard’ – Breakage featuring Newham Generals and David Rodigan
Sub bass scientist Breakage paid his respects to different generations of soundsystem-inspired music (reggae, dubstep, grime) with 'Hard'. Guttural grime duo Newham Generals take centre stage, riding a menacing bass juggernaut, but, arguably, reggae statesman David Rodigan OBE’s cameo (‘It’s all about the music’) steals the show. This Carnival anthem isn’t just hard, it’s well hard.
‘Hold You’ – Gyptian
'The sound of Summer 2010 and Carnival of the same year was Gyptian’s unusual reggae slow jam. By rights it shouldn’t work. However, its addictive, pinky-plonky piano opening and sweet-boy Gyptian earnestly singing about the joys of being wrapped in your lover’s arms, struck a nerve in austerity Britain. Perhaps it worked precisely because it was so different to most Carnival anthems.