Donna, this is not a list of Broadway shows, but of classic Tony Awards performances. On the 1975 telecast, no numbers from the four nominated musicals—including the Wiz—were performed. (Sadly, this was true of many of the telecasts in the early 1970s; it robbed posterity of performances from such shows as Follies, Company and Two Gentlemen of Verona as well.)
The 25 best Tony Awards performances
We choose the top musical numbers from 44 years of Tony telecasts
Thu Jun 2 2011
Evita, “A New Argentina” (1980)
Evita was the show that put Broadway superdiva Patti LuPone on the map—or at least the map of South America. The unlikely subject of Andrew Lloyd Webber and Tim Rice's pop opera was the former first lady of Argentina, Eva Peron, and her oft-repeated theme song, "Don't Cry for Me, Argentina," was the show's signature tune. But for the Tonys, the show chose Harold Prince's brilliant staging of its Act I closer, in which an aquiline, predatory LuPone knocks out huge notes that help explain Eva's role in the political rise of her populist-strongman husband: When this lady belts, people listen. (The performance might rank higher on this list if those money notes were not pretaped for the telecast.)
Guys and Dolls, “Sit Down, You're Rockin' the Boat” (1992)
The beloved 1992 revival of Frank Loesser's classic Guys and Dolls had a lot going for it, including a swell cast led by Nathan Lane and Faith Prince and an old-school aesthetic that went hand in glove with the show's colorfully cartoonish world of lovable New York gangsters. The show's liveliest number found a minor character, Nicely-Nicely Johnson—played by Walter Bobbie, who went on to direct the Chicago revival—pretending to have seen the religious light. Choreographer Christopher Chadman, a longtime associate of Bob Fosse's, came up with a staging that is pure musical-comedy elation.
La Cage Aux Folles, “We Are What We Are”/“I Am What I Am” (1984)
Broadway finally came out of the closet, where it had apparently been trying on its mom's nuttiest clothes, with the groundbreaking 1983 musical comedy La Cage Aux Folles. Introduced as though they were exotic flowers in some alien garden, the show's unabashed transvestites shed their puffy gowns and perform a snappy tap number in sparkly miniskirts. And although George Hearn—as the show's drag queen bee, Zaza—bizarrely performs the show's gay-pride anthem in a tuxedo instead of a frock, the former Sweeney Todd star sings with forceful dignity.
Chicago, “All That Jazz”/“Hot Honey Rag” (1997)
The hugely successful Broadway revival of Kander and Ebb's cynical Chicago began as a concert staging at Encores!, and the production's sleek, pointed style retains an air of presentational formality that is in perfect tune with Bebe Neuwirth's icy-hot delivery of the show's opening number. Ann Reinking's choreography summons the spirit of Bob Fosse, but this Tony sequence is most compelling when, in "Hot Honey Rag," Neuwirth and Reinking dance the 90-second synchronized duet that Fosse himself devised for the musical's original 1975 production.
Spring Awakening, “Mama Who Bore Me”/“The Bitch of Living”/“Totally Fucked” (2007)
One of the first rock musicals to sound like contemporary rock music, Spring Awakening throbbed with new blood—a quality accentuated by an attractive young cast (fronted by Jonathan Groff and Lea Michele). By offering a medley instead of a single number, the show smartly emphasizes newness, speed and change. And when the cast explodes into the last song, whose unsafe-for-TV language the actors preemptively struck, the nothing-to-lose wildness of Bill T. Jones's choreography is heightened by herky-jerky pans and zooms of the camera.
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I got nervous on the way up the list that Jennifer Holliday's incandescent performance might not be number 1 on your list. That performance of that number stands so singularly alone as the apogee of musical theatre performance to date that any other place on the list would be offensive. Thankfully, the TimeOutsters know their stuff.
really? company? Ragtime,... Sunday in the park (either of them) sweeney todd,(both of them) falsettos.. next to normal,, , does it have to be from a show? Neil Patricks opening number last year was amazing.
SUGAR BABIES is a grave omission. For pure show business know how nothing beats Ann Miller and Mickey Rooney. I could watch it a million times. Probably have...
I agree with just about every choice, having seen them all. But you need to drop one in order to add on Dorothy Loudon's incredible performance of Fifty Percent from Ballroom.
I found this article on All That Chat, but unable to post this spoof lyric of I GOT LOVE there. Is it OK to pay parody tribute to Melba here? I GOT LUNGS Tune of I GOT LOVE, version based on Melba Moore’s big Tony showstopper (verse) Some say save your voice, But I would rather not Why should I hold back, They like the sound Because – I – Got – Lungs! I got lungs! I got lungs! I got lungs, lungs, lungs, Lungs, lungs, lungs, lungs, lungs, lungs!!! I got lungs, I got lungs Hear that vocal power I blew out my shower, I got lungs Lungs so strong, Help in song Need no microphoning. folks ask about cloning My power lungs Every time that I belt My voice rocks the mezzanine From a girl who’s really svelte This power’s not routine (big finish) They’re enthused, And I haven’t used – it up I’m gonna let go now, I’m gonna steal the show now ‘Cause I got lungs! I got lungs! I got lungs! I got lungs, lungs. lungs! I got lu-u-u-u-u-ungs!!!! Thanks if it's OK. Love this list! So many great memories!
Next to Normal, which should have won Best Musical, one of the best ever. Glad for its deserved Pulitzer Prize, only the 8th musical to ever win.
Wow, thank you so much for sharing this! I love that your choices are so varied - and that you weren't afraid to put in some songs that people turn their noses down a little at nowadays (ie, Tomorrow) but still make the hair on my arms go up. This was a real treat :)
I agree about Ragtime and Next to Normal...I also agree with I Do!, I Do! Worst Pies in London, 50 Percent, City Lights showed some great stars in wonderful performances. I also should add Sugar Babies,...wow, ok-there are just too many. :)
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