Worldwide icon-chevron-right North America icon-chevron-right United States icon-chevron-right New York State icon-chevron-right New York icon-chevron-right Complete A-Z list of Broadway musicals and Off Broadway musicals in NYC

Complete A-Z list of Broadway musicals and Off Broadway musicals in NYC

Our complete A-Z listings of Broadway musicals and Off Broadway musicals will help you find the best musicals in NYC

Dear Evan Hansen
Photograph: Courtesy Matthew Murphy Dear Evan Hansen
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Broadway musicals are the beating heart of New York City. Whether you're looking for unforgettable songs, spectacular sets and costumes, star turns by Broadway divas or dance numbers performed by Broadway's hottest chorus boys and girls, there is always plenty to choose from. And these days your options are more diverse than ever: raucous comedies (like The Book of Mormon), moving dramas (like Dear Evan Hansen), sweeping operettas (like The Phantom of the Opera), family classics (like The Lion King) and cultural game-changers (like Hamilton). Here is our list of every Broadway musical currently running, followed by a list of those playing in smaller Off Broadway and Off-Off Broadway venues.

RECOMMENDED: The best Broadway shows

Complete Broadway Musicals A–Z

Ain’t Too Proud—The Life and Times of the Temptations
Photograph: Courtesy Matthew Murphy
Theater, Musicals

Ain't Too Proud—The Life and Times of The Temptations

icon-location-pin Imperial Theatre, Midtown West
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The Temptations are hard to resist: No matter how much you may chafe at the clunky machinery of Broadway’s latest jukebox biomusical, the hits just keep coming. The workmanlike script gives us Motown the Musical by way of Jersey Boys, but when the show’s lavishly gifted stars (Including Derrick Baskin and the sensational Ephraim Sykes) are moving and singing in sync, the pull of nostalgia is strong.—Adam Feldman

Time Out says
Theater, Musicals

Aladdin

icon-location-pin New Amsterdam Theatre, Midtown West
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Open run

Disney's latest toon tuner is a tourist-family–friendly theme-park attraction, robed in the billowing fabrics of orientalist Arabian fantasy. As in the 1992 film, the Genie (a charismatic James Monroe Iglehart) steals the show from its eponymous “street rat” hero (Adam Jacobs). Stuffed with glitz, the musical is a carpet with little texture but colorful patterns aplenty.—Adam Feldman

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Theater, Musicals

Beautiful—The Carole King Musical

icon-location-pin Stephen Sondheim Theatre, Midtown West
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Broadway’s latest boomer jukebox musical never achieves the comic zip or dramatic force of Jersey Boys, but it is an appealing and skillfully built vehicle for Carole King’s hit ditties and soulful ballads. It's a lovable love letter to a fine songwriter and natural woman.—David Cote

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Beetlejuice
Photograph: Courtesy Matthew Murphy
Theater, Musicals

Beetlejuice

icon-location-pin Winter Garden Theatre, Midtown West
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Open run

If nothing else, this musical adaptation of Tim Burton’s 1988 film is spectacularly weird: Its designers come at it from all kinds of crazy angles. If only so much of the rest of the show were not a busy mess. The tone varies wildly, and the rules that govern the plot (which veers ill-advisedly widely from its source) are both overexplained and opaque.—Adam Feldman

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Book of Mormon listing
Photograph: Joan Marcus
Theater, Musicals

The Book of Mormon

icon-location-pin Eugene O'Neill Theatre, Midtown West
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Open run

If theater is your religion, and the Broadway musical your particular sect, it’s time to rejoice. This gleefully obscene and subversive satire is one of the funniest shows to grace the Great White Way since The Producers and Urinetown. Writers Trey Parker and Matt Stone of South Park, along with composer Robert Lopez (Avenue Q), find the perfect blend of sweet and nasty for this tale of mismatched Mormon proselytizers in Uganda.—David Cote

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Chicago
Photograph: Jeremy Daniel
Theater, Musicals

Chicago

icon-location-pin Ambassador Theatre, Midtown West
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Open run

This John Kander–Fred Ebb–Bob Fosse favorite—revived by director Walter Bobbie and choreographer Ann Reinking—tells the saga of chorus girl Roxie Hart, who murders her lover and, with the help of a huckster lawyer, becomes a vaudeville star.—David Cote

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Come From Away
Photograph: Matthew Murphy
Theater, Musicals

Come from Away

icon-location-pin Gerald Schoenfeld Theatre, Midtown West
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Open run

Irene Sankoff and David Hein’s swelling heart of a musical tells a true story from the aftermath of 9/11, when 38 flights were forced to land in the small town of Gander, Newfoundland. Under Christopher Ashley’s fluid direction, 12 versatile actors play dozens of roles. The show makes a persuasive case for the value of good intentions; for this kind of uplift you don’t need planes.—Adam Feldman

Time Out says
Dear Evan Hansen
Photograph: Joan Marcus
Theater, Musicals

Dear Evan Hansen

icon-location-pin Music Box Theatre, Midtown West
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Open run

In this captivating original musical, Hello, Dolly! scene-stealer Andrew Barth Feldman now plays the title role of a high school student thrust into social relevance after a classmate's suicide. Benj Pasek and Justin Paul's score combines well-crafted lyrics with an exciting pop sound, and Steven Levenson’s book gives all the characters shaded motives.—Adam Feldman

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Freestyle Love Supreme
Photograph: Courtesy Joan Marcus
Theater, Musicals

Freestyle Love Supreme

icon-location-pin Booth Theatre, Midtown West
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Very talented performers perform a 90-minute storm of improvised raps and sketches, directed by Hamilton's Thomas Kail. Notable alums (such as Lin-Manuel Miranda, James Monroe Iglehart, Christopher Jackson and Daveed Diggs) may drop by for guest appearances—not that the show's core cast needs any help.

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Frozen
Photograph: Courtesy Deen van Meer
Theater, Musicals

Frozen

icon-location-pin St. James Theatre, Midtown West
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Open run

There is too little magic in this lukewarm stage adaptation of the smash 2013 Disney movie about a princess who must save her realm from the eternal winter to which her witchy sister has unwittingly condemned it. There are glimmers of light in the performances and design, but the shaky plot now seems even less secure, and the show feels substantially less animated all around.—Adam Feldman

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Off Broadway Musicals A–Z

All Hallows Eve
Photograph: Courtesy Richard Termine
Theater, Musicals

All Hallows Eve

icon-location-pin Connelly Theater, East Village
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Young twin siblings wage war with a demoness in this original Halloween musical by Martin P. Robinson, who created the original Audrey II puppet for Little Shop of Horrors. In addition to directing and designing the show, Robinson has written its book; the music is by Sesame Street's Paul Rudolph. Don't bring little kiddies: This show has dark tricks up its sleeve.

Forbidden Broadway: The Next Generation
Photograph: Courtesy Carol Rosegg
Theater, Musicals

Forbidden Broadway: The Next Generation

icon-location-pin The Triad, Upper West Side
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Broadway's loyal opposition, Gerard Alessandrini, returns with a new edition of his beloved satirical revue, which has ribbed the Great White Way since 1982. This latest version—the first since 2014—lays into Dear Evan HansenHadestownMoulin Rouge!Oklahoma! and other fat targets. Musical-theater lovers will be sure to eat it up.

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Frankenstein: A New Musical
Photograph: Courtesy E. Sirota
Theater, Musicals

Frankenstein: A New Musical

icon-location-pin St. Luke's Theatre, Hell's Kitchen
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Undeterred by the failures of Frankenstein-themed tuners on Broadway and Off Broadway in 2007 (and Off-Off Broadway in 2016), composer-librettist-scientist Eric B. Sirota ventures back into the mad musical laboratory for his adaptation of Mary Shelley's classic horror novel. Clint Hromsco directs the premiere.

The Imbible: A Spirited History of Drinking
Photograph: Courtesy Michael Blase
Theater, Interactive

The Imbible: A Spirited History of Drinking

icon-location-pin New World Stages, Hell's Kitchen
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Open run

[Note: The review below is for a 2014 version of this show, which was then titled The Imbible. A revised version now plays at New World Stages. A different, brunch-theater edition, titled Day Drinking, plays on weekend matinees.] Remember Bill Nye the Science Guy? Great! Now imagine him as a bartender who is deeply interested in the history of ethanol alcohol, really likes wigs and costumes, and just joined a coed barbershop quartet. That description of Anthony Caporale’s The Imbible: A Spirited History of Drinking may sound far-out, but the show is both educational and entertaining. (It's also a fine showcase for a cappella classics arranged by Josh Ehrlich and performed by a gifted ensemble that includes the show's director, soprano Nicole DiMattei.) Mixing whimsy and information, Caporale makes the story of our relationship with alcohol remarkably compelling. And the show's lessons—on subjects like the drinks served at Prohibition-era speakeasies, the origin of the gin and tonic, and the difference between a cocktail and a mixed drink—can be washed down with complimentary, thematically appropriate beverages. As Caporale says, “Trust me, I get funnier with every sip.” That makes the show a must-see for anyone who enjoys free booze, which is probably nearly everyone.—Amelia Bienstock  

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The Imbible: Day Drinking
Photograph: Courtesy Broadway Theatre Studio
Theater, Musicals

The Imbible: Day Drinking—The Brunch Musical Comedy

icon-location-pin New World Stages, Hell's Kitchen
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Four friends explore the history of brunch and the cocktails associated with it in a musical companion piece to Anthony Caporale's popular A Spirited History of Drinking, formerly known as The Imbible. The score is by Josh Erlich; Carorale wrote the book, and codirects the show with Nicole DiMattei. Admission includes a modest brunch and three complimentary cocktails, so arrive half an hour early to take full advantage.  

Jersey Boys
Photograph: Courtesy Joan Marcus
Theater, Musicals

Jersey Boys

icon-location-pin New World Stages, Hell's Kitchen
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Open run

Musical theater does right by the jukebox with this behind-the-music tale, presenting the Four Seasons’ energetic 1960s tunes (including “Walk Like a Man” and “Big Girls Don’t Cry”) as they were meant to be performed. After an 11-year run on Broadway, the show has returned for a scaled-down open-ended run at New World Stages.—Adam Feldman

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Jonathan Groff
Photograph: Courtesy of the artist
Theater, Musicals

Little Shop of Horrors

icon-location-pin Westside Theatre, Hell's Kitchen
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Jonathan Groff, Tammy Blanchard, Christian Borle and Tom Alan Robbins star in the latest revival of Alan Menken and Howard Ashman's dark, sweet, tuneful and utterly winsome 1982 horror-camp musical about a flesh-eating plant who makes dreams come true for a lowly flower-shop worker. Michael Mayer directs the feeding frenzy, which features Kingsley Leggs as the voice of the big green baddie. (Gideon Glick subs in for an absent Groff from November 5 through 17.

A Musical About Star Wars
Photograph: Courtesy Michael D’Angora
Theater, Musicals

A Musical About Star Wars

icon-location-pin St. Luke's Theatre, Hell's Kitchen
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A teenage Star Wars fan, a Blockbuster Video clerk and an activist actress create a musical celebration of the Force in this new musical by Tom D'Angora, Taylor Cousore and Scott Richard Foster, with a score by Billy Recce. Cousore and Foster also costar with the winsomely daffy Emily McNamara. 

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Photograph: Carol Rosegg
Theater, Musicals

Naked Boys Singing!

icon-location-pin The Theater Center, Midtown West
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Open run

Eight reasonably nice-looking men take it all off and vocalize in this collage of cutesy vignettes on gay themes, recently revamped with new jokes and more up-to-date references. Although sex is central to most of the numbers, the goofy nudism has no erotic charge, and when the show tries to be serious, it's hard to watch with a straight face.

The Office: A Musical Parody
Photograph: Courtesy Russ Rowland
Theater, Musicals

The Office! A Musical Parody

icon-location-pin The Theater Center, Midtown West
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Having already created goofy musical spoofs of shows including Saved by the Bell and Beverly Hills 90210, Bob and Tobly McSmith—joined again by composer Assaf Gleizner, who wrote the score for Friends! The Musical Parody—take on yet another TV institution. Donald Garverick directs a cast led by Sarah Mackenzie Barron, in male drag, as paper tiger Michael Scott.

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