Each year the best Broadway shows attract more than 13 million people seek out the pinnacle of live entertainment. Broadway is simply one of those tourist attractions that locals love. Most of Broadway’s 41 jewel-box venues are located in the theater district—that is, 41st Street to 52nd Street and Sixth Ave to Eighth Ave. Every season brings a new wave of megamusicals, plays and star-driven revivals. Some boast gold from the Tony Awards. But there's always a range to choose from critics’ picks to artsy experiments and long-running blockbusters. Ticket prices are wildly variable. Nosebleed seats at Kinky Boots might go for $79, but premium tickets for Hamilton have gone into four figures. The savvy consumer can find discount tickets at most Broadway shows. Now hurry—the curtain’s about to rise!
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If theater is your religion, and the Broadway musical your particular sect, it’s time to rejoice. This gleefully obscene and subversive satire is one of the funniest shows to grace the Great White Way since The Producers and Urinetown. Writers Trey Parker and Matt Stone of South Park, along with composer Robert Lopez (Avenue Q), find the perfect blend of sweet and nasty for this tale of mismatched Mormon proselytizers in Uganda.—David Cote
In this captivating original musical, Ben Platt gives a Tony-caliber performance—funny, sweet, beautifully sung and exquisitely worked-out in its physical details—as a high school student thrust into social relevance after a classmate's suicide. Benj Pasek and Justin Paul's score combines well-crafted lyrics with an exciting pop sound, and Steven Levenson’s book gives all the characters shaded motives. The production has moved to Broadway after its sold-out run at Second Stage Theatre.—Adam Feldman
Composer-lyricist-star Lin-Manuel Miranda forges a groundbreaking bridge between hip-hop and musical storytelling with this sublime collision of radio-ready beats and an inspiring, immigrant slant on Founding Father Alexander Hamilton. A brilliant, diverse cast takes back American history and makes it new.—David Cote
Dave Malloy's dazzlingly eclectic rock-pop musical, adapted from a portion of Tolstoy's War and Peace, conveys its story of high-society Muscovites in stirring and surprising ways. Directed by Rachel Chavkin, this Broadway transfer of the 2012 Off Broadway hit stars global-sensation singer Josh Groban and newcomer Denée Benton.—Adam Feldman
Broadway’s latest boomer jukebox musical never achieves the comic zip or dramatic force of Jersey Boys, but it is an appealing and skillfully built vehicle for Carole King’s hit ditties and soulful ballads. It's a lovable love letter to a fine songwriter and natural woman.—David Cote
One of the more unlikely musicals on Broadway this season, Come from Away is the tense but humane story of an airport in Gander, Newfoundland, where 38 planes and more than 6,000 passengers were forced to land on September 11, 2001. The book, music and lyrics are by the Canadian team Irene Sankoff and David Hein.—Adam Feldman
Tennessee Williams's oft-revived family drama (last seen on Broadway in 2014) returns starring Sally Field as Amanda Wingfield. She plays opposite Joe Mantello as Tom, remembering days gone by, and Madison Ferris as delicate, damaged Laura. The ingenious Sam Gold directs.—David Cote
Harvey Fierstein and Cyndi Lauper’s fizzy crowd-pleaser, in which a sassy-yet-dignified drag queen kicks an English shoe factory into gear, feels familiar at every step. But it has been manufactured with solid craftsmanship and care, and is boosted by a heart-strong cast led by Wayne Brady. The overall effect is nigh irresistible.—Adam Feldman
Director-designer Julie Taymor surrounds the Disney movie’s mythic plot and Elton John–Tim Rice score with African rhythm and music. Through elegant puppetry, Taymor populates the stage with a menagerie of African beasts; her staging has expanded a simple cub into the pride of Broadway.—Adam Feldman
J.T. Rogers's drama is an informative and absorbing primer on the secret history of a rare breakthrough in the Israeli-Palestinian conflict. The plummy Jefferson Mays and radiantly self-effacing Jennifer Ehle play a Norwegian couple who facilitate back-channel negotiations by creating a space for personal connection and mutual recognition.—Adam Feldman