1984

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1984
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Landmark's Midtown Art Cinema says
George Orwell made no secret of the fact that his novel 1984 was not really about the future but about the very time he wrote it in, the bleak years after World War II when England shivered in poverty and hunger. In a novel where passion is depicted as a crime, the greatest passion is expressed, not for sex, but for contraband strawberry jam, coffee, and chocolate. What Orwell feared, when he wrote his novel in 1948, was that Hitlerism, Stalinism, centralism, and conformity would catch hold and turn the world into a totalitarian prison camp. It is hard, looking around the globe, to say that he was altogether wrong.

Michael Radford's brilliant film of Orwell's vision does a good job of finding that line between the "future" world of 1984 and the grim postwar world in which Orwell wrote. The movie's 1984 is like a year arrived at through a time warp, an alternative reality that looks constructed out of old radio tubes and smashed office furniture. There is not a single prop in this movie that you couldn't buy in a junkyard, and yet the visual result is uncanny: Orwell's hero, Winston Smith, lives in a world of grim and crushing inhumanity, of bombed factories, bug-infested bedrooms, and citizens desperate for the most simple pleasures.

UK
1984 (US release)
113 mins
1.33:1 aspect ratio, a.k.a, “Academy ratio” or “Academy flat”
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By: Landmark's Midtown Art Cinema

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