Hundred Waters At The Earl

The Bowery Presents: Hundred Waters w/ Mitski Sunday March 8 The Earl 8pm Doors // $12 ADV Tix: http://bit.ly/HundredWatersATL Twitter: @100waters Hundred Waters - http://www.hundred-waters.com/ The quartet's members Nicole Miglis, Trayer Tryon, Paul Giese & Zach Tetreault played together in various formations as far back as middle school, but it took until adulthood and 2012 for them to become Hundred Waters. Living under one roof meant the band had a communal mentality, yet each maintained their own distinct projects, borrowing here and there from each other. It was in interpreting a friends' music together that they discovered the power of their combination, and they quickly fell to work reorienting their lives around an album. The music they found was a beautiful blend of contradictions, mournful yet colorful, introverted yet aware, and brought the tradition of songwriting to a strange future. Initially released by their local label Elestial Sound, their self-titled debut soon became seen as the sound of Florida, drawing loose comparisons to Stereolab, Four Tet, and Bjork. Soon it attracted the most unlikely of label bosses, Skrillex, who signed the band to his OWSLA label that same year and gave the album a full-scale release, with remixes by Araab Muzik, Star Slinger, and TokiMonsta. Since then the band has taken its live show around the world, touring with artists such as Grimes, Julia Holter, Alt-J & the XX. Mitski Mitski warmly recalls a quote from sculptor El Anatsui, "Art grows out of each particular situation, and I believe that artists are better off working with whatever their environment throws up." With this nerve exposed lyrically, and having dived into her new beginning,Mitski chooses her 2014 breakthrough album Bury Me at Makeout Creek to explore uncharted sonic territory, trading in large string arrangements for guitar and bass. While studying composition at SUNY Purchase's music conservatory, she previously recorded music with a full orchestra. However as college graduation inched closer, Mitski moved away from the concert hall and into the campus' active DIY scene. Upon relocating to New York following graduation, she entered stages at Death By Audio, Silent Barn, and Bed Stuy basements, entrenching her songs of love, fear, lust, and brilliant clarity into entirely sympathetic ears. Since releasing Bury Me at Makeout Creek in November 2014 via Brooklyn-based label Double Double Whammy, Mitski has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics. Pitchfork applauded the release as "inventive and resourceful," while Rolling Stone celebrated her "deep-cutting lyrics." NME said of Bury Me, "it's a record that doesn't tug at your heart-strings as much as it mercilessly pounds at them, taking to your emotions like a lead pipe to a piñata." She has also received widespread attention for her "cathartic" live shows as dubbed by The New York Times' Jon Caramanica. "I was so young when I behaved 25," Mitski sings on "First Love / Late Spring," "yet now I find I've grown into a tall child." This veritable thesis speaks to sentiments of the poetry and beauty of struggling up the hill to adulthood. Mitski follows El Anatsui's humbling advice, cathartically revealing snapshots from her adventures in youth, and the empowerment found in sharing these stories with others. In 2015 Mitski is poised to continue delivering her particular flavor of soul-baring rock, and tour throughout North America and beyond.