My Broken Machines (NMC)
Sardonic in ways that parallel the perverse discourse taking place in America.
Arco Iris (ECM)
Calling this “fusion,” with its fado, flamenco and Al Andalusi vocals, would be diminishing. “Exquisitely ambidextrous” is more like it.
Chiara String Quartet & Matmos
Jefferson Friedman Quartets (New Amsterdam)
Friedman rocks a Bartókian rhythmic breakdown. Hard. An album for new-music skeptics.
Finnish Radio Symphony Orchestra
The FRSO explores the alternately disorienting and familiar sound worlds of Saariaho’s scores.
Schumann: Humoreske, Busoni: Fantasia Contrappuntistica (New Focus)
Greenberg’s sterling piano work is a respite from the fray. Impeccably studied and expertly executed.
Six slabs of wood and some seriously deft handling by percussionists Slagwerk den Haag.
Edition Lockenhaus (ECM)
Spanning 1981–2008, hours of material as exuberant as it is refined.
Trinity Requiem (Innova)
Moran eschews the literalism plaguing many September 11 tributes. Instead, he finds redemption within the textual confines of a Mass.
Traverses the planes of the terrifying and the intimate.
Thomas Zehetmair, Ruth Killius
Manto and Madrigals (ECM)
The collabo of violinist Zehetmair and violist Killius is a win. Sprawling in the most compelling ways.