The 13 best Irish movies for St. Patrick’s Day

Is it too soon to include so recent a movie? Not when it’s this extraordinary. A wrenchingly beautiful Irish immigrant drama, it re-creates the titular 1950s-era borough in all its melting-pot diversity (and Dodgers-loving Italian boyfriends), while also giving the 21-year-old Saoirse Ronan the kind of role—romantically conflicted, blooming, courageously open—that transforms young stars into icons.

A street musician (Glen Hansard) and a Czech immigrant (Markéta Irglová) fall in love on the streets of Dublin in this popular musical romance, which inspired the Broadway musical. There’s no denying the power of these sincerely wrought acoustic tunes, among which “Falling Slowly” won the Oscar for Best Original Song.

A background in Celtic folklore isn’t necessary to appreciate this wondrous animated tale from Kilkenny’s Cartoon Saloon, though it probably wouldn’t hurt. Even if you know nothing about the Book of Kells, the pagan god Crom Cruach and the art of Irish visual poetry, the film’s breathtaking animation and mesmeric tone will draw viewers of any age into its gorgeous spell.

One of the most acclaimed films of 2022, Martin McDonagh’s darkly comedic character study reunites the core cast from his 2008 breakthrough, In Bruges, taking them from an antique Belgian tourist town to an isolated island off the Irish coast. Against the backdrop of the 1923 Irish Civil War, Brendan Gleeson and Colin Ferrell play longtime friends whose bond comes to an abrupt end amidst the former’s existential crisis. For McDonagh, it’s a relatively small and quiet film but an intense one too, underscored by deeply felt performances from the two leads. It also doubles as an undercover tourist brochure for the Irish isles, gorgeously shot by cinematographer Ben Davis.

No one would claim that director Lance Daly delivers an Emerald Isle version of The Spirit of the Beehive, though this scrappy film about two Irish kids who ditch their working-class ’hood and head into Dublin does have a knack for capturing the elation and confusion of late childhood in all its ragged glory.

Whether from Dublin, Middle America or the Amazonian rainforest, teenagers have always started bands for precisely two reasons: to get laid and/or to get the hell out of their hometown. Once director John Carney encapsulates both of those impulses in this winning ‘80s-set pop musical about a private school misfit who puts together a group only after recruiting his crush to star in a music video. While it indulges in plenty of coming-of-age clichés, the energy stays high, the tunes are killer, and it ends up expressing a broad truth – that loving Ireland, like any place else, sometimes means escaping it.

In this wickedly funny Tarantino-esque black comedy, the mighty Brendan Gleeson (weathered and effortlessly humane) plays Father James, targeted for murder in the confession box by an angry mystery man. James is given seven days to put his affairs in order—and hopefully mend some bridges in his coastal Irish community.

Yes, it’s the same bloody Sunday about which U2 wonders how long they’ll have to sing: the events of Jan 30, 1972, when English soldiers killed 13 unarmed Irish protesters. Paul Greengrass’s impeccable historical re-creation, suffused with heartache, set the template for his future work on United 93.