The 21 Best Stephen King Movies of All Time

Based on: Weeds (short story) and The Crate (short story)

When the King of Horror and the King of Zombies united for the first time, we got a darkly funny homage to comics like Tales from the Crypt. George A Romero directed Stephen King’s screenwriting debut, adapting Weeds (a countryside bumpkin turns into a plant) and The Crate (a deadly Arctic ape is unleashed). Blending situational humor and physical brutality, the anthology showcases King’s wit and Romero’s flair, even if it doesn’t fully meet its lofty expectations.

Based on: 1408 (short story from Everything’s Eventual)

1408 isn’t the first movie to toy around with haunted hotel rooms. But it succeeds at capturing its source material’s atmospheric dread and psychological payoff. John Cusack and Samuel L Jackson shine in muted performances as a paranormal writer and hotel manager respectively. The duo reunited nine years later for the techno-thriller Cell, yet another Stephen King adaptation. Sadly, they couldn’t recreate the grounded thrills of 1408 again.

Based on: The Running Man (novel from The Bachman Books)

A precursor to battle royale offerings like The Hunger Games and Squid Game, The Running Man satirises exploitative game shows and society’s appetite for violent entertainment. While the Arnold Schwarzenegger-starrer trades the sci-fi novel’s subtlety for gore, it still stands out as a smarter-than-average 80s action flick. King wasn’t a fan of Arnie’s performance, but Edgar Wright’s 2025 remake will hopefully do justice to the social commentary in the novel by Richard Bachman (King’s occasional pseudonym).

Based on: Christine (novel)

Stephen King is obsessed with killer vehicles. But while the Green Goblin truck in Maximum Overdrive (his only directing attempt) stained his legacy, the bright-red 1958 Plymouth Fury in Christine endures as a sleek and stylish agent of chaos. John Carpenter’s cult classic has a sentient car developing a toxic obsession with a high-school senior, driving to any lengths to gain his attention. Often brushed under more popular Carpenter horrors, Christine still ages well with its zany premise and campy charm.

Based on: Quitters Inc. and The Ledge (short stories in Night Shift)

The 1985 anthology film Cat’s Eye brings out the best of King’s twisted sense of humour, with the titular feline connecting three nightmarish scenarios exploring addictions and phobias. From a chain smoker encountering an Orwellian rehab centre to a tennis pro stepping on a ledge for a bet, Cat’s Eye reveals King’s morbid fascination with human vulnerabilities. While the third chapter is an original segment, watch out for a young Drew Barrymore fighting a murderous troll.

Based on: 1922 (novella in Full Dark No Stars)

Based on the novella of the same name, this relatively under-the-radar period piece stars usual Stephen King screen face Thomas Jane (The Mist and the better-forgotten Dreamcatcher) as dungaree-wearing, pipe-smoking farmer Wilfred James. Buried in debt, James plans on murdering his kin, only to spiral into guilt and fear. 1922’s slow-burning drama might test the average Netflix viewer’s patience but Jane’s terrific lead turn is enough to stay back on a blood-soaked Nebraska farm.

Based on: The Life of Chuck (novella in the collection If It Bleeds)

Mike Flanagan is the master of psychological horror, the kind that balances jump scares with deep-seated psychological traumas much like the King himself. But unlike his previous King adaptations, Gerald’s Game and Doctor Sleep, The Life of Chuck brings out a tender celebration of life from Flanagan’s mind. Based on a previously unpublished novella by King, the titular Chuck is Tom Hiddleston’s bespectacled, suit-wearing banker who lets loose occasionally in chuckle-inducing dance numbers. With the narrative switching between Chuck’s eventful childhood and the literal end of the universe, viewers might scratch their heads, expecting a world-altering plot twist. But this one breezy King adaptation celebrates the little things in life and the multitudes that are contained within us. And again, watch out for those smooth foot-tapping dances.

Based on: Dolores Claiborne (novel)

This psychological thriller fleshes out the strained relationship between Kathy Bates’ titular heroine and her estranged daughter played by Jennifer Jason Leigh. Dolores is a seasoned caretaker accused of murdering her elderly employer. Subsequent flashbacks toy around with the viewers’ minds to dig deeper into the truth. Misery might have brought out a manically obsessive energy from Kathy Bates but as Dolores Claiborne, she taps into something deeper and arguably more tragic.

Based on: Quitters Inc. (short story in Night Shift)

King’s influence crossed borders in 2007 when acclaimed Indian director Anurag Kashyap (Gangs of Wasseypur, Sacred Games) turned his addiction satire Quitters Inc. into the Lynchian nightmare that is No Smoking. Defying mainstream Bollywood conventions, the cerebral thriller follows a nihilist smoker (simply called ‘K’) who enrols in a quasi-spiritual retreat to kick the habit. But when K spirals into a psychedelic nightmare, the lines between reality and surrealism get blurred.

Based on: The Monkey (short story in Skeleton Crew)

Osgood Perkins's follow-up to the King-approved hit Longlegs, The Monkey elevates one of King’s relatively simple short stories with zany levels of gore and dark comedy. The titular monkey in the story is an eerie toy that plays out a reign of terror every time it clangs its cymbals. Perkins doesn’t just replace the cymbals with drumsticks but also throws in more character arcs and plenty of jaw-droppingly creative kills, turning The Monkey into a Maine edition of Final Destination. The Monkey might not always boast narrative depth but it delivers the thrills when it goes, as King himself described, ‘batshit insane’.

Based on: Doctor Sleep (novel)

Mike Flanagan’s sequel to The Shining won over not just fans of Kubrick’s original masterpiece but certified Shining haters like King himself, too. As a grown-up Danny Torrance, Ewan McGregor taps into a muted sense of trauma, while Rebecca Ferguson delivers a wickedly over-the-top performance as a cult leader targeting psychic children. Doctor Sleep might not benefit from the claustrophobic confines of the Overlook Hotel but it has enough nightmare fuel to make you sleep with the lights on.  

Based on: Gerald’s Game (novel)

A couple’s kinky getaway goes wrong when the husband dies midway through the act. Now, it’s up to Carla Gugino’s Jessie to free herself from the cuffs around her wrists, as rabid dogs loom large. Gerald’s Game could play out as a conventional survival thriller. Instead, it turns into a psychological tearjerker as Jessie encounters sinister threats and past traumas. For a novel largely considered unfilmable, Mike Flanagan’s first Stephen King adaptation sensitively walks the fine line between trauma and liberation.  

Based on: It (novel)

The first chapter in director Andy Muschietti’s two-part saga recreates Derry in the 1980s, a town plagued by the titular monstrosity. Bill Skarsgård’s terrifying portrayal of Pennywise the Dancing Clown, with his unsettling squeals and sinister grin, makes this arguably the scariest Stephen King adaptation. Beyond the horror, It also delivers a moving underdog story as the adolescent members of the ‘Losers Club’ confront their personal demons and deepest fears. Grossing $700 million globally, It remains the most successful King adaptation ever.

Based on: The Green Mile (novel)

In his second King adaptation, The Shawshank Redemption director Frank Darabont revisits the prison drama genre. King’s magical realism is turned into an exhausting but rewarding three-hour emotional journey. While Tom Hanks shines as a morally righteous death row prison guard, it’s Michael Clarke Duncan who captivates as John Coffey, a gentle giant with mysterious powers and questionable grounds for arrest. Duncan’s childlike curiosity and enigmatic presence make The Green Mile heartwarmingly endearing, proving King’s storytelling prowess extends far beyond horror.

Based on: The Mist (novella in Skeleton Crew)

After toying around with prestige prison dramas from King’s canon, Frank Darabont went down a more conventional sci-fi route with The Mist. Think of The Mist as Dawn of the Dead but inside a supermarket. The CGI Lovecraftian creatures engulfed in the mist do raise some eyebrows, but more stressful is the breakdown of the social order among the trapped survivors. The Mist’s strength lies in its notoriously bleak ending as Darabont ignores the original novella and delivers a gut-punch finale that surprised King himself.

Based on: The Dead Zone (novel)

While David Cronenberg was always suited to adapt some of King’s more macabre works, he chose to film his most idealist novel. The Dead Zone comes off as a superhero origin story, sprinkled with timely themes of political assassinations and nuclear war. A pale-faced Christopher Walken stars as Johnny Smith, a schoolteacher who wakes up from a coma with psychic powers. Despite a fairly straightforward hero’s journey storyline, The Dead Zone benefits greatly from Walken’s earnest portrayal of a man caught between his powers and his ideals.

Based on: Misery (novel)

The obsessive fan is a common Hollywood trope, but Misery set a new precedent with Kathy Bates’ Oscar-winning act as the hammer-wielding Annie Wilkes. Rob Reiner’s psychological drama follows a ‘number one fan’ holding her favourite writer captive in a wintry cabin, forcing him to rewrite the ending of an upcoming novel. Bates brings out so many dimensions of King’s unforgettable villain that one can’t help but still be frightened (or even charmed) by her. Bates’ Best Actress win makes Misery the only King adaptation to have ever won an Oscar.

Based on: The Body (novella in Different Seasons)

King’s four-novella collection Different Seasons didn’t just yield The Shawshank Redemption but also the teen drama The Body which got adapted as Rob Reiner’s Stand By Me. The premise is simple: a ragtag bunch of four teens heads out on a trip to find the corpse of a missing boy. But this seemingly innocent quest turns into an unforgettable journey, alas one that they wouldn’t be able to recreate again in their life. A far cry from Misery, his other King adaptation, Reiner adds his usual feel-good charm with a cast of the biggest child actors of the era like River Phoenix and Corey Feldman. The end result is a timeless tale of friendship and adulting, one that both embraces and subverts coming of age tropes.

Based on: Carrie (novel)

Stephen King’s first-ever novel also yielded his first-ever film adaptation. And after more than 60 movies based on King’s literature, Brian De Palma’s coming-of-rage classic still stands the test of time. Sissy Spacek sinks her teeth into Carrie White, with the titular protagonist evolving from a shy, bullied teen to an empowered mutant on a killing spree. Raising the stakes is her obnoxiously conservative mother, played to devilish perfection by Piper Laurie. That blood-soaked finale is enough to guarantee Carrie, a top spot but there’s a reason why none of the other remakes could recreate the original’s passion and campiness.

Based on: The Shining (novel)

Stephen King will always hold a grudge against Stanley Kubrick’s slow-burning adaptation of his arguably best work. But horror fans seem to never stop showering praises on the film that blessed the genre with pop culture templates, from Jack Nicholson’s manic delivery of ‘Here’s Johnny’ to the bloody rivers inside the Overlook Hotel. The Shining has been referenced and parodied to the point of being spoiled, but it lives on as a cornerstone in elevated horror, a label that the likes of Neon and A24 have successfully capitalised on ever since.

Based on: Rita Hayworth and the Shawshank Redemption (novella in Different Seasons)

Adapted from King’s novella Rita Hayworth and the Shawshank Redemption, Frank Darabont’s directorial debut explores the ups and downs of the inmates at Shawshank State Prison. Behind bars, Tim Robbins and Morgan Freeman strike a timeless friendship as the prison changes with the grueling passage of time. Freeman’s sonorous voice elevates the book’s laidback narration and balances otherwise sappy emotions with a universal message of hope. Despite its seven Oscar nominations, The Shawshank Redemption infamously lost every category to Forrest Gump. But over the years, the film’s cult status has only grown further. It continues to hold the top spot on IMDb’s user-generated list of the Top 250 Movies of all-time.