Time Out doesn’t bandy the word ‘genius’ around much, but we make some exceptions – the guy or girl who invented sucking hot tea through a Penguin biscuit, for example (just try it), or prodigal electronic producer Nicolas Jaar. Fans of the 23-year-old’s slow-burning techno, groovy, Latin-influenced experimentations and hypnotic live shows may want to keep Jaar to themselves, but his brainiac beats and easygoing cool are earning him plenty of fans beyond his native New York. This week Jaar plays two huge shows in London: at the Barbican, with visuals by ’60s veterans The Joshua Light Show, and at Fabric nightclub with his bandmate Dave Harrington in their Darkside guise.
That band’s album, ‘Psychic’, is among the year’s most beguiling and brilliant releases. It crosses the sombre twangs of blues with Jaar’s lounge-lizard vocals, some soporific disco beats and a heavy amount of mindfuckery. Check out psychedelic single ‘Golden Arrow’ (below), and read on for five more reasons to say ja to Jaar.
1. He’s got a great record (academic, that is)
What did you do at uni – drink After Shock and rack up a massive debt perhaps? Jaar wrote his 2011 debut LP ‘Space Is Only Noise’ whilst studying at Brown, an Ivy League university. Was it hard? Er… not really. ‘No one knew what I did back then,’ he says. ‘It was almost simple, I guess.’
2. He does Daft Punk better than Daft Punk
Only a few weeks after Daft Punk’s ‘Random Access Memories’ came out, Jaar and Harrington had given a Darkside remix to the entire album. The resulting LP – titled ‘Daftside’ – picked up a four-star rating in Time Out, compared to the Frenchmen’s three stars for a record eight years in the making. What’s worse, Jaar did his as a bit of a joke. ‘We thought it would be hilarious: “Imagine if we remixed the whole thing!” And then we just did it.’ Le ouch.
3 He thinks inside the box
Jaar once released a compilation inside a small metal cube. ‘The Prism’ only had a few buttons and a headphone socket on the outside. ‘Psychic’ is out in more traditional CD and vinyl formats, though. ‘I didn’t want to be a cube salesman for the rest of my life,’ he says.
4 He’s handy with Ikea furniture (probably)
‘It’s like we make tables for a living,’ is Jaar’s unlikely musical philosophy. ‘Hopefully they stand and you can put nice things on them. Music helps, and music heals. So I see my role much more as that of a carpenter. It’s utilitarian. It’s not bohemian at all.’
5 He’s taking you to a galaxy far, far away
Darkside’s new album is unique – a voyage into the sonic unknown, but not necessarily to a frightening place. ‘[The dark side] doesn’t have to be sad or scary, it can just be the side that’s not seen,’ Jaar says. ‘We’re always searching, we’re always questioning. You’re listening to us search.’
Watch Darkside's 'Golden Arrow' video
Built in 1901 as the display hall for the German company Bechstein Pianos, the Wigmore Hall was seized as enemy property in WWI and sold at auction for a fraction of its value. These days, boasting perfect acoustics, art nouveau decor and an excellent basement restaurant, the 'Wiggy' is one of the world's top chamber music venues and currently hosts around 400 events a year. Programming leans on the classical and Romantic periods. The Monday lunchtime recitals, broadcast live on BBC Radio 3, are excellent value, as are the Sunday morning coffee concerts. Musical luminaries who have performed at the Wigmore Hall include Sergey Prokofiev, Shura Cherkassky, Paul Hindemith, Andrés Segovia, Benjamin Britten and Francis Poulenc. Tours of the auditorium, with its famous Art Nouveau mural, and other parts of the building take place during the Open House London event in September.
Venue says: “Booking now for Sep-Dec 2017! Intimate concerts featuring internationally acclaimed classical musicians. Tickets from £15 or less.”