Two simultaneous exhibitions at the Lowe Art Museum on the University of Miami campus make up the most comprehensive presentation of Afro-Cuban art ever mounted. El Pasado Mio/My Own Past, organized by Harvard's Afro-Latin American Research Institute and expanded for its Miami run, brings together more than 81 works by 44 Cuban artists of African descent spanning two centuries, including nine paintings by Wifredo Lam and works by eleven female artists being exhibited together for the first time. The show restores artists who were deliberately erased from the Cuban art historical record, placing obscured figures like Pastor Argudin, Maria Ariza, and Tony Ximenez alongside better-known names like Agustin Cardenas and Maria Magdalena Campos Pons.
The companion exhibition, Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection, traces the cultural movement that emerged in the 1930s, when a generation of Cuban artists began centering the country's African roots at a moment when most of Cuban society had actively suppressed them. The tension in that moment is part of what makes the show complex: some of these artists are seen as co-opting a history that wasn't theirs; others as genuinely trying to re-imagine Cuba through its African roots and Afro-religious forms. On view through September 12. General admission is free.
