Jasmina Mitrovic

There are levels to looksmaxxing. Long before some corners of the internet turned self-improvement into something weird, Japan had already built an entire beauty culture around details. The flyaways matter. The pores matter. The dullness under your eyes after a night out in Tokyo? Easy fix. That is part of why skincare here can feel so intense, but also so good: it is equal parts practicality, ritual and low-level obsession. The downside is that finding the right product can melt your brain. Walk into a Donki, open Qoo10 or browse through Cosme for ten minutes, and suddenly every pink bottle is promising the same glossy new face. Some of it is gimmick, some of it is actually worth your money, and telling the difference is half the battle. To save you the deep search, here are seven products that are getting real traction in Japan right now. All of the products on this list are available at most Don Quijote stores around the city, as well as the @cosme Store in Harajuku.

Japan doesn’t do the whole groundhog routine, but if it did, the poor thing would probably give up halfway through March. One day it’s bright blue skies, and the kind of weather that has everyone mentally pulling out picnic sheets and pretending blossom season has already arrived. Then the temperature drops overnight and a fresh hit of snow barrels back in like winter heard you getting too comfortable. Which, for anyone not quite ready to retire their goggles, is good news. Spring skiing in Japan sits in that odd little gap between seasons where the pressure eases off, the days get longer, the beer tastes better in the sun and the mountains start showing a different side of themselves. Some resorts are already winding down by late March, while others keep hanging on into Golden Week and beyond. Each one comes with its own version of what a snow trip should feel like, whether that means Niseko bars, sulfur baths in Zao or the slightly surreal indoor-resort weirdness of Rusutsu. So before you fully surrender to sakura content, here are the spots still worth strapping in for.Recommended: 10 best snow and ski destinations in Japan

Photo: Kunihiro Fukumori VERDYは、長年東京のクリエーティブシーンにおける中心人物の一人として活躍している人物である。ファッション・音楽・ナイトライフ・アートと多岐にわたって活動しており、BLACKPINKやIce Spiceのビジュアルおよびクリエーティブディレクションを手がける一方で、「Budweiser」のようなグローバルブランドともコラボレーションを行っている。 「東京」を象徴する存在の一人だが、VERDYのルーツは大阪にある。ここではそんな彼の大阪とのつながりを紹介しよう。 大阪と東京の違い VERDYにとって大阪という街は明快だ。東京よりも物価が安く、飯がウマい。夜は楽しく、人は面白い。少しだけ東京よりもルーズで、洗練され過ぎておらず、リラックスできる場所だと言う。 Photo: Kunihiro Fukumori 大阪滞在中によく訪れるという谷町や大阪城周辺は、その穏やかさを感じられる場所だ。一方で夜になれば、今もクラブカルチャーやミュージシャン、スケーターが集うアメリカ村へと足を向ける。彼は常に街の若いエネルギーに注目しており、特にセレクトショップ「COFLO」は、新世代の才能が集まるハブスポットだと紹介してくれた。 「コミュニティー」のためのピザ Photo: Kunihiro Fukumori オープン4周年を迎えた「Henry's PIZZA」は、VERDYと故郷との絆を最も象徴する場所だろう。建前としてはニューヨークスタイルのピザ屋だが、実態はコミュニティーハブに近い。 同店を通じて、彼は「使い捨てではないけれど、手頃な価格で楽しめる場所」を作りたいと考え、2階にはクラブハウスのようなギャラリーを併設した。ピザを食べに来た客が、それまで知らなかったアーティストに偶然出会う――そんな絶妙なオーバーラップを楽しんでほしい。 Photo: Kunihiro Fukumori 若きVERDYが、カルチャーやファッションにのめり込んでいた頃、海外アーティストの来日公演や展示会のほとんどは東京に集中していた。大阪にいることは、シーンを外側から眺めているような感覚を伴うこともあったと話す。Henry's PIZZAは、そんなかつての「距離感」を埋める架け橋なのだ。

タイムアウト東京 > ショッピング＆スタイル > 海外出身のクリエーターがおすすめする東京近郊のチェーン店 海外の価値観を持ち併せ、東京で生活するクリエーターたちは、東京ローカルのヴェニューをどのように見ているのだろうか？デザイナー、イラストレーター、バーテンダーの3人におすすめのチェーン店について聞いてみた。  

Photo: Kunihiro Fukumori Verdy has been one of the main characters of Tokyo’s creative scene for a while. Working across fashion, music, nightlife and art, he’s as comfortable contributing visual and creative direction for Blackpink and Ice Spice as he is for Budweiser. While a graphic artist and designer by trade, Verdy thrives with projects that bring people together in real life. The parties and exhibitions around his ventures help shape the scene and aren’t about exclusivity or insider access; people simply show up because something is happening. Made in Osaka While he’s inarguably ‘Tokyo’, Verdy’s roots are in Osaka, and that connection endures. For him, the city is easy to explain. It’s cheaper than Tokyo. The food is good. Nights are fun. The people are interesting. Compared to the capital, it’s looser, less polished, and often more relaxed. Photo: Kunihiro Fukumori When in Osaka, Verdy gravitates toward calm areas like Tanimachi and the surroundings of Osaka Castle. At night, he finds himself in Amerikamura, where clubbers, musicians and skaters gather. He keeps an eye on the city’s young energy, pointing to places like the select shop Coflo as a hub for emerging Osaka talent. Pizza for the people Photo: Kunihiro Fukumori Henry’s Pizza, now celebrating its fourth anniversary, is the most visible expression of Verdy’s bond with his hometown. On paper, it’s a New York style pizza shop. In reality, it’s more like a community hub. With Henry’s, he wanted to create so

Before your brain goes straight to Kabukicho: relax. This is not a red-light district story, and these services aren’t selling anything physical. Rental boyfriend/rental girlfriend agencies in Japan are basically date companion services. You book someone to spend time with you in public, under clear rules, and the ‘role’ is usually what it says on the label: boyfriend, girlfriend, or just someone to hang out with. If you’ve been online long enough, you’ve probably seen this concept float by already, either through Vice-era coverage or a streamer trying it out as content. It gets filed under ‘weird Japan’, but the reality is way more normal: a lot of people book these dates because they don’t want to do something alone, their original plus-one bailed, they’re travelling and want someone to show them around, or they just want a low-pressure day where they can talk and feel a bit less in their own head. Think of it as renting company, not true romance – that latter part is mostly atmosphere. What many don’t realise is that Japan has been ‘renting people’ for a while. The broader rental-companion/stand-in world goes back to the early 1990s, and it’s since grown into a full system of ‘borrowed connection’ services. You can rent a friend, a grandma, and even a handsome guy to cry with you. The boyfriend/girlfriend version is for some reason just the most meme-able branch of that tree – one that started getting more publicly visible in the early 2010s, when this style of dispatch se

Tokyo will humble you under one traffic light. Fit, fabric, proportion and how your shoes look after a day of walking – you’ll be standing at a crosswalk realising someone’s ‘I just ran to the conbini’ outfit has more intention than your whole suitcase. This is a fashion city in the truest sense. Not only in the ‘designer capital’ way, but in the sense that people here treat getting dressed as a language. Labels exist, obviously, but the real flex is the build. One perfect pair of pants, a statement jewellery piece that might double as a weapon, a bag that signals you knew how to dig. The smallest choices do the loudest talking. Like all fashion capitals, Tokyo’s scene is made up of the micro-scenes running within: skaters and musicians, punks and gals; office workers with secretly insane wardrobes, vintage freaks, minimalists, maximalists, and people who look like they stepped out of a niche magazine you’ve never heard of. Everyone’s doing their own thing, but you can usually trace it back to the same places. The fastest way to understand Tokyo fashion isn’t to scroll harder. It’s to go where the people shaping the scene go: stores with point of view, and staff who live and breathe this stuff enough to clock what you’re going for before you even say it out loud. If you’re visiting and don’t want to default to the fast-fashion loop, or you live here and are bored of your current rotation, this guide is a good place to start. All of the stores featured below represent a pocket

Yakiimo is one of the cheat codes to enjoying the cold season in Japan. You buy the spud hot, hold it like a hand warmer, peel back the skin as you walk, and suddenly the commute feels romantic. And just to be clear: these are not sweet potatoes as you might know them. Sweet potatoes – the orange Western kind – have been riding the superfood train for the last decade. While no one is holding them up to kale, they’ve become the ‘good snack’ people reach for when they want something that feels clean and balanced. Japanese yakiimo play a totally different role. One bite in and you’ll be looking around like, ‘I can’t believe it’s not butter’ – but for yakiimo – because it tastes like they’ve dipped it in honey. Only to find the sweetness is allllllllll natural. These delights are slow-roasted until the starches turn to sugar and the inside goes gooey. The best ones don’t taste healthy – more like a dessert that happened by accident: honeyed, jammy, sometimes pudding-soft, sometimes fluffy like steam. The good shops obsess over the details: potato variety, how long it’s been rested, how low the heat goes, and whether it’s roasted in a pot, on stones or in some custom kiln setup. That’s why two sweet potatoes can taste like two different planets. There’s a method to yakiimo enjoyment. Sure, you can grab one at your local grocery store, or maybe Donki, and it’ll still hit. But if you’re interested in seeing the full depth of how a sweet potato can rock your world on its own, no topp

タイムアウト東京 > Things To Do >2026年、運気アップに訪れたい占い師5人 街を歩いていると、占いの看板を見かけたことがあるだろう。ビーズのカーテンの向こうで、ベールをかぶった占い師が水晶玉に手をかざす光景は記号としてお馴染みだが、実際に中に入ったことがあるかはまた別の話だ。 ヨーロッパで占いといえば、深夜のコマーシャルや電話占い、ショッピングモールの店頭や観光地に置かれた看板が思い浮かぶ。また、オンライン鑑定やTikTokのタロット占いから、出生時間を伝えないと相手にしてくれない人まで、占いや霊能者に対するイメージはゆがんでいる。信じる人もいれば信じない人もいて、大多数はどちらでもないだろう。 日本では伝統の重みか、あるいはスピリチュアルな世界が日常生活に深く根付いているせいか、占いはより身近なものだ。今日では、タブレットで占い師を選べるチェーン店の「占いクリニック」から、お守りや何十年も前の道具がずらりと並ぶ個人店まで、あらゆる占い師がいる。 東京にも占いの館はあまたあるが、ここでは独自のスタイルや背景を持ち、人生の奥底を読み解いてくれる5人の占い師を、タイムアウト東京英語版のスタッフライターが紹介する。 関連記事 『2025年を代表するベスト怪談師5選』

It’s Christmas Eve, which in most of the West means family chaos, ugly jumpers and eating until you can’t move. In Japan, the day takes on a totally different form. Christmas here is hyper-aesthetic, and (for better or worse) coded as couple territory – rushing for reservations, gift shopping, illuminations, and the unspoken vibe that you’re supposed to have someone’s hand in yours. And if you don’t? You are knighted: kuribocchi (single on Christmas) The word gets thrown around like a sad punchline, but this is a city built for solo missions: one-person yakiniku, counter seats, cinemas where no one cares if you nod off. 
 So if you’re single, far from home, newly dumped or just not in the mood for matching Santa hats, here’s a kuribocchi guide that treats being alone like the event that it is, and not a penalty.


 RECOMMENDED: The most beautiful winter destinations in Japan

‘Five dollars for a palm reading.’ It’s a sign most of us have walked past at least once. If you’re from a major city – or have ever visited one – the neon promise of a shawl-draped psychic behind a beaded curtain isn’t exactly groundbreaking. Whether you’ve ever actually gone inside is another story. In the West, fortune-telling comes with late-night commercials, hotline psychics, strip-mall storefronts, and the kind of tourist-area signage that promises destiny for a flat fee. Add Etsy witches, TikTok tarot and that one friend who refuses to speak to you until you tell her your exact birth minute, and the whole image of psychics and mediums has been stretched so far it barely shocks anyone anymore. Some people believe, some don’t, most hover in the ‘why not?’ middle. Maybe it’s the weight of tradition, maybe it’s how spirituality still threads through the everyday, but the atmosphere around fortune-telling in Japan feels less performative and more… lived-in. It’s visible without being loud. Small booths tucked inside stations. Upstairs rooms above drugstores. Kaleido-coloured parlours wedged between convenience stores. And then there’s the deeper side; the long history of mediums, diviners and spiritual workers who once advised everyone from farmers to feudal leaders. Like many other traditional aspects in Japan, this presence never really disappeared. It’s just adapted to the cities around it. Today, you’ll find everything from chain-run ‘fortune clinics’ where you pick yo

Halloween has come a long way from its origins in ancient Celtic harvest festivals. These days it's more about looking as OTT as possible, a custom that was popularised in the US in the early 1900s. In Japan, too, there is none of the doom and gloom of the holiday's historical association with death, which may have something to do with the fact that the local celebration first made waves at Tokyo Disneyland. We're looking forward to a series of Halloween events on October 31, as well as the days leading up to it. Whatever you decide, don't let your costume go to waste – dress up for some of Tokyo's most spectacular Halloween parties. RECOMMENDED: 6 best Halloween events at theme parks in Japan

Fancy yourself a bit of a weeb? Fair enough. Half the people romanticising Tokyo got here through some form of anime-induced brain damage anyway. On April 10, LA-based artist and DJ Redeadica brings Weebmatic to Forestlimit, with a stacked line-up running from Texas Baby and Ranz Jigoku to Suleiman.jp, Setsuna, Tellur, Palimach and Shion, plus pop-ups from Moeken and Nerdist. The night runs from 5pm to 11pm, and entry is ¥2,000 with one drink included. Redeadica built his name through anime-girl drawings, terminally online humour and a style that sits somewhere between meme detritus and actual draftsmanship. The dream, of course, is that the offline meetup doesn’t end with your internet crush turning out to be some basement-dwelling catfish, but someone hot, stylish and strangely well-adjusted. Weebmatic feels like that fantasy given physical form. And with Forestlimit hosting it, the whole thing lands in exactly the right room: a Hatagaya venue that regularly pulls in the kind of leftfield DJs, live acts and scene people truly shaping Tokyo’s underground.If you’re after a night of hyperpop, hardcore internet energy and the possibility of leaving with your dignity slightly compromised, this is probably your move.

Kiko Kostadinov and Asics have been at it for nearly a decade, and they keep finding stranger corners of the archive to pull from. The Lyasa FF traces back to the split-toe Tabi shoes Asics built for astronaut training in 2008, keeping the toe structure, but adding a beefier sole and FF Blast Plus cushioning underneath. On Saturday, StandBy in Harajuku opens up for a free event around the launch: installation, projection, sound and live performances from Yuka Mizuhara and Manami Kinoshita – karaoke included. The shoes go on pre-sale at Kiko Kostadinov Tokyo the same day at ¥30,800, with wider retail to follow in late April. The event will be screening the second chapter of Buckle Yup, the short film series Ryan Trecartin made for the project – shot across Japan with 15 local performers, built around language, sound and a productive kind of excess.

Gata turns its long-running David Lynch fixation into a late-night tribute on April 17 at Azumaya. The Tokyo magazine has always leaned toward the dark, sexy and slightly perverse side of culture, so a Lynch night makes perfect sense: cherry-red drinks, dreamlike visuals, doughnuts and a dress code that’s sure to host a turn-out of half Twin Peaks heads. Lynchian universe attire knocks the ticket price down from ¥1,500 to ¥1,000, so don’t be afraid to get weird.

Yamepi's illustrations are basically a portrait of Tokyo youth that trend reports keep trying and failing to write: decked-out headgear, tracksuits, cigarettes and nail polish; all of it sitting inside a Tekkonkinkreet-adjacent energy where rebellion is the move. Sora Aota, on the other hand, has got the star-signed approval: a graphic artist who went viral as a teenager off a Travis Scott fan art post on X, who then ended up on Young Thug's album cover and even landed on Forbes Japan's 30 Under 30, and has been working across a number of huge names and brand collabs ever since. The two of them are showing together at The Plug in Jingumae from April 15 to 19 in the perfect intersection of what the Tokyo youths art scene has to offer.

Ginseng Museum brings its exhibition series to Asia for the first time with a Tokyo edition at Circus on April 19, framing the club as a live archive for the underground scenes it has been documenting across the region. The line-up bridges China and Japan with names including Bloodz Boi, kegøn, lazydoll, eden2001, 61H, 驊66 + jovi and more. Sound-wise, that means a lot of blurred edges: Bloodz Boi comes from the cloud-rap side of China’s underground, kegøn works as a self-produced singer-producer with rap and alternative club textures in the mix, and lazydoll brings a digicore-Tokyo rapper-producer angle. Tickets are on LivePocket, starting at ¥4,000 plus a drink, and the night goes on from 11pm to 5am. This event is basically an iteration of the best Soundcloud mix you could find before anyone else has, just in real life.

Some parties are made for people who want to feel like they accidentally stepped into a cooler internet and Rêves events really fall into this category. The French party entity returns to Tokyo on April 24, taking over Circus as part of its 2026 tour with a line-up that already looks dangerously good: TDJ, Lorenzi, pinponpanpon, Wagahai is Neko, Yume and a full spread of other names built for the kinds of people who treat the club like both a runway and a minor emotional crisis. Doors open at 10pm, advance tickets are ¥3,000 and the price on the door is ¥3,500. Your regular language-exchange meet up couldn’t compete with such an atmosphere. The night will be like a cross-border moodboard with better taste than most people you know. With TDJ’s glossy emotional overload, Lorenzi in the mix, and pinponpanpon bringing that cool-girl cute-meets-chaos energy, this has all the makings of a night that feels a little too pretty to be trusted.

There's a specific kind of visual noise that only accumulates over decades of neglect, negotiation and pure commercial desperation – and the Kumanocho intersection has it in abundance. Hand-painted signs stack at angles suggesting nobody involved was in conversation with anyone else. Expect faded kanji characters, peeling edges, colour choices that were bold in 1987 and remain bold now for entirely different reasons. Photographers and graphic designers make pilgrimages here. It looks like a fever dream of the Showa era that simply refused to be paved over.

Every surface in Café Acorite is doing something. Shelves along the walls hold an absurd number of teapots: rabbits, cats and bears, yes, but also Chanel No. 5 bottles, tiny houses and food-shaped ones, all lit from behind like part of a collection that long ago spiralled into obsession. Red roses climb the exposed brick columns, your tea arrives in a pot that may have ears, and the cakes are as good as they are pretty. With its mismatched floral china, velvet tablecloths and every last corner packed with figurines, the whole place feels like cute-girl madness in the best possible way. Everyone is there for the photo, and unlike spots that act allergic to being treated as a backdrop, Café Acorite clearly welcomes it. Behind the bar, a small team in Ghibli-esque apron uniforms moves between cake mixers and teapots with the precision of a secret operation.

PinkPantheress opens her first-ever Japan show this week at Toyosu Pit, and it’s set to be a big one. From Soundcloud/TikTok beginnings to riding the wave of a career that’s basically been one long glow-up since she started dropping bite-sized, diary-like tracks online, her songs feel made for replaying on a loop. The bedroom-produced blur of lo-fi jungle has officially mutated into global superstardom, and the hype for her live arrival is at a fever pitch. If you slept on tickets or just need to pre-game the hysteria, you've got a lifeline. For three days this weekend, Harajuku streetwear mecca Domicile is hosting a concept space that might just be the next best thing. ‘Fancy That: A PinkPantheress x AsahiNa Concept Store’ is taking over from February 19 to 22. The pop-up is a collaboration with Tokyo-based digital artist (and recent Dazed 100 alumni) AsahiNa (朝比奈), who’s been warping the local scene with her ultra-glossy, chrome-dipped cyber aesthetics. Having already shaped the visuals for PinkPantheress’s Japan-exclusive album cover, AsahiNa’s world is the exact kind of thing you want attached to the Bath-born singer: hyper-sweet, slightly chaotic and very online in the best way. Get ready for liquid metal objects that look like they’ve been airbrushed into existence, candy-coloured CG florals, arcade-machine glow, futuristic trinkets, and that early-2000s digital shimmer where everything feels like it could be an icon, a sticker or a cursed screensaver. It’s basically a

Banny deals in Americana vintage, but not the clean ‘heritage lifestyle’ version. It’s more like a 13-year-old boy’s bedroom, if that kid had impossible taste and an unlimited allowance. Collectibles everywhere, old rap star shirts, vintage Matrix tees, cowboy boots, and random sneaker gems that make you stare a little longer than normal. It’s affiliated with Pin Nap, and you can feel that sibling relationship in the contrast. If Pin Nap is the girl store, Banny is the younger brother who learned style from older cousins, music videos and American thrift shops. The shop feels familiar if you grew up around North American vintage, but the digging has already been done for you. The selection sits in that sweet spot between nostalgia and daily wear – like taking a Throwback Thursday post and turning it into a wearable look. Ralph Lauren quarter-zips, polos, jackets… all sporty pieces that land right with Tokyo styling.

H4LO is built like a monochrome showroom, but it’s programmed like a small scene. The check-out counter doubles as a DJ booth, staff spin in-store, and the TV stays on music videos, so your shopping experience will really feel straight out of a 2000’s segment of MTV-something. They don’t represent one scene or one genre of fashion, but it’s close to an early-internet-core meeting point where different subcultures overlap because the same people are in them. They host DJ events inside the store, run frequent pop-ups and takeovers, but out of the store they’re on the drift track — their cars branded. They show up at meets, and they’ve hosted car-related events at the store too. It works because in this world, music, cars, and clothes feed each other. H4LO translates online-era tastes to real world participation and their stock mirrors this same cultural variety: Glo Gang, Prix Workshop, Asspizza, Yori, No Mass Prod and other names that feel like references. At first glance the store has a very clean aesthetic, but the racks appear to have been built by someone online in 2016 who never logged off.

SO has been around since 2018. It’s quietly confident, and homey in the way Nakameguro does best: calm, considered and easy to settle into. While the ‘hostel’ part of the business is more concept than reality now, that DNA still shows up in how they treat people: relaxed service and no pressure. The style leans active and sporty, built around basics that fit perfectly, with small hits of quirk scattered through the racks that give the place its personality. You’ll find their in-house pieces alongside a mix of foreign brands, plus housewares that make it feel lived-in rather than strictly retail. The staff are always down for a chat too, especially about music – rock, house, techno – which makes the place feel like somewhere you could actually hang out.

Sakura season is now in full swing, and Yoyogi has tipped from open green space into something closer to a temporary city. Every patch of grass seems to hold a different version of spring: some groups dressed like they planned their colour story around the trees weeks in advance, others got ready with the more realistic goal of sitting on the ground for several hours, chasing kids around, or surviving that awkward stretch of Tokyo weather where it looks warm until you stop moving. Hanami never really comes out looking like one thing.   Photo: Analicia Graca   Karen & Shiori, 26Karen and Shiori kept things easy, bright and sharply in tune with the day. Karen said her outfit was inspired by spring, while Shiori dressed more for picnic vibes, which felt visible before they even said it. In front of them sat a quiche and a prosciutto basil sandwich from Little Bakery Tokyo, the kind of spread that lands somewhere between casual lunch and soft launch for the season.  Photo: Analicia Graca A skipping-rope crew For this group, hanami dressing came down to doing it together. One of the girls said they matched because everyone was spending hanami together, while another said she knew she was going to be running around and still wanted to be fashionable. Their answers had the kind of logic only kids can get away with: part coordination, part practicality, part whatever feels right when the weather finally starts loosening up. Photo: Analicia Graca Farhida, Aisha, 10, Zahara, Rida

2010年代、「KAWAII MONSTER CAFE」は東京を象徴する人気スポットの一つだった。ネオンに彩られたその空間は、現実の竹下通りの中心にありながら、海外から見た「原宿ガール像」。まるでグウェン・ステファニー（Gwen Stefani）の世界観をそのまま具現化したかのような、熱狂的な幻想空間でもあった。 そこでは現実の東京にいながら、まるで別世界に迷い込んだかのような体験ができる。巨大なケーキ型メリーゴーラウンドがクラブさながらの照明の下に据えられ、空間はカラフルなゾーンに分かれ、モンスターガールズがその場全体を生きた舞台へと変える。料理さえも、キッチンで調理されたというより、ユニコーンから採取されたかのような怪しげな見た目をしていた。 Photo: Analicia GracaPictured: Kawaii Monster Founder Sebastian Masuda, sitting amount the Monster Girls and guests. 2021年、同店は閉店を発表し、原宿はその強烈な個性を放つランドマークの一つを失う。そして2026年2月13日、単なる復活というよりも進化を遂げる形で、「KAWAII MONSTER LAND」として帰ってきた。カフェを再構築し、アトラクションを中心とした新たな施設としてスタートを切る。 かつての空間が魅力的なカオスに満ちていたとすれば、今回は来場者の導線がよりスムーズに設計されている。「Magic Spiral Gate」を抜けると、「Choppy’s Mel-Tea Cup Ride」や「Kawaii Monster Carnival」、ゲーム感覚の体験スポット、フード＆ドリンクカウンターとバー「BAR Pink Mirage」を備えた「Colorful Snack Street」など、各エリアを順に巡る構成だ。「Harajuku Gift bazaar」ではグッズも販売されており、手ぶらで帰る人はいないだろう。 Photo: Analicia GracaNewly unveiled arcade games いくつかの変更はあるものの、主役は依然として「モンスターガールズ」だ。ハイパーキュートなパフォーマーたちが、原宿らしさを200％に引き上げたようなエネルギーを再び呼び戻す。スタイリングもより洗練され、現代のストリートファンタジーを想起させる世界観を表現している。 光沢感のあるサイバーゴススタイル、ブラックレースのグローブやメタル素材、大胆なグラフィックディテールに、ひと目では愛らしくに見えつつもどこか異質さを感じさせる人形のようなメイク。あるいは、ネオングリーンのレースやレインボーのフェイクファーカフス、ラインストーンをあしらったアーマーショルダーなどをまとったデコラスタイルも登場する。ハンドメイドの温もりを感じさせるレイヤードの質感が、ポップで祝祭的なムードを際立たせる。 さらに、フリルやリボン、パステルカラーのふんわりとした装飾、ハートのパッチ、キャンディカラーなど、スウィートロリータを思わせる要素も随所にちりばめられている。誇張されたウィッグやアクセサリーと相まって、原宿ならではのスタイルを色濃く反映したビジュアルが印象的だ。 Photo: Time Out TokyoThe Monster Girls from left to right* Candy, Crazy, Dolly, Natty, Baby KAWAII MONSTER CAFE

The Kawaii Monster Café was an OG Tokyo attraction of the 2010s; a neon fever dream that nailed the overseas, Gwen Stefani-tinted idea of ‘Harajuku girls’, in the middle of the real Takeshita Street. It was the closest thing Tokyo had to a portal: a mad-hatter wonderland where a giant cake carousel sat under club lighting, the space was split into colour-coded zones, and the Monster Girls turned the whole place into a living set. Even the food looked suspicious, like it had been harvested from a unicorn rather than cooked in a kitchen. Photo: Analicia GracaPictured: Kawaii Monster Founder Sebastian Masuda, sitting amount the Monster Girls and guests. In 2021, the café announced it would close for good, and Harajuku lost one of its most unapologetically loud landmarks. Now, it’s back, though with less revival and more renaissance – as Kawaii Monster Land, a rebuilt ‘attraction-first’ version of the original. If the old café was chaotic in a charming way, this one is clearly designed to move people through smoothly. You enter through the Magic Spiral Gate, then follow a set flow into different areas: Choppy’s Mel-Tea Cup Ride, a Kawaii Monster Carnival zone, game-like stops, and Colourful Snack Street, where the food-and-drink counter sits alongside a bar called Pink Mirage. There’s also a Harajuku Gift Bazaar for merch, because no one leaves a place like this empty-handed. Photo: Analicia GracaNewly unveiled arcade games Despite the few changes, the Monster Girls are still

In a move you never expected, McDonald’s Japan and Street Fighter literally cross worlds with the ‘Street Burgers’ line-up dropping today (October 22), pulling familiar faces from Capcom’s universe into fast-food form. Ryu gets the burnt-garlic mayo egg teriyaki treatment, Chun-Li turns into a yurinchi-style chicken burger, and Ken plays the role he always has: excessive, triple-cheesed and golden. Each item lands in limited packaging that looks more like arcade signage than meal branding, while McFizz cups show Ryu and Ken mid-Hadoken. undefinedundefined It’s a collaboration that makes sense in the way Japan often does – nostalgia and convenience culture colliding in a perfectly designed impulse purchase. The tie-in extends beyond the counter too; players of Street Fighter 6 can unlock in-game bonuses connected to the campaign, making it one of those crossovers that bleeds through reality just enough to feel surreal. McDonald’s commercials have leaned into that, showing burgers exploding like special moves, filmed with the same confidence as a Capcom trailer. The collab runs nationwide starting October 22 2025, for a limited period. It’s easy to dismiss this kind of marketing as novelty, but Japan has turned novelty into an art form – knowing that a moment of play, no matter how commercial, still carries cultural weight.  The ‘Street Burgers’ collab is available at McDonald’s outlets nationwide. Check the website for full details. More

1990年代後半から2000年代初頭にかけて、矢沢あいの漫画は真の文化現象だった。彼女は、ファッションを「第二の言語」として操り、失恋が常に線路の向こう側で待ち構えているかのような独特の世界観を構築。『NANA』『Paradise Kiss』『ご近所物語』では、東京という都市のカフェも裏通りも一本のたばこまでもが、映画のワンシーンに見えるように切り取った。 そして、矢沢が描いたキャラクターたちは、「ヴィヴィアン」のタータンやイチゴ色のフリルに身を包み、喜びと絶望の間を漂いながら、孤独さえもスタイルとして昇華するかのように街を歩く。 紙面上では未完のまま止まっている物語もあるが、この街・東京では、その間も矢沢の世界の断片が息づいている。中には「聖地巡礼」として知られる場所もあれば、彼女の描く一コマがそのまま現実になったかのような場所もある。 『NANA』の熱心なファンであれ、あるいは矢沢の鋭い若者観やファッション感覚に引かれる者であれ、これら6つのスポットは、彼女の世界のフレームの中へと引き込んでくれるだろう。 多摩川沿いを「ホット・ガール・ウォーク」する Photo: Jasmina Mitrovic 多摩川には、一度の夕暮れの間にロマンチックにもメランコリックにも揺れ動く空気が漂い、マジックアワーの水面には郊外の静かな輪郭と、遠くに広がるスカイラインの両方が映り込む。 ここでは、自分自身が変化の途上にいる登場人物であるかのように感じられる。選択のはざまに立ち、昨夜の会話を頭の中で繰り返したり、ノートに歌詞の断片を描きつけたりする。ギターを手にしたカップルが歩き、ランナーとすれ違う。気付けばその光景全体が、まるで矢沢の漫画の一場面を現実に重ね合わせたかのように見えてくるに違いない。 「Jackson Hole」のバーガーに時間を忘れる Photo: Jasmina Mitrovic 『NANA』のファンにとって、「Jackson Hole」はハンバーガーショップではなく、むしろ巡礼地である。調布にあるこの居心地のよい店は、作品に組み込まれており、漫画の世界から現実へワープできる数少ない場所の一つだ。 ハンバーガーを注文し、ボックス席に腰を下ろせば、目の前のテーブル越しにハチや章司が座っている姿が目に浮かぶ。学校の課題について語り合ったり、複雑な恋模様を解きほぐしたりしているかもしれない。料理そのものは純粋なアメリカンだが、そこに漂う響く空気は間違いなく矢沢の世界そのものだろう。 下北沢でおそろいのコップを探す Photo: Jasmina Mitrovic 下北沢に点在する古着店やビンテージショップは、矢沢の漫画世界に思いをはせるためにあるかのように思える。「東京レトロa.m.a.store」では、ハチらしさがぎゅっと詰まったイチゴ模様のガラスのコップを手に入れたり、彼女がインテリアの仕事をしていた頃を思わせるスタイリッシュな家具の中を歩き回ったりできる。 この街のキッチュとストリートウエアの鋭さが混ざり合う空気感は、矢沢作品の登場人物たちを忘れがたくしているあの絶妙な緊張感そのものであり、どの店も新しいサブプロット（副次的な筋書き）が生まれそうな気配をまとっている。  「喫茶小雪」でゆったりとした時間を過ごす Photo: Jasmina Mitrovic 「喫茶小雪」は、まるで矢沢のヒロインのためにスケッチされ、生まれたかのようなカフェだ。昭和の趣に加え、繊細なイチゴケーキも楽しめ、懐かしさと2000年代のガーリーカルチャー

Hysteric Glamour isn’t new to flipping cultural icons, but this time they’re dragging the women of One Piece through their rock’n’roll-pin-up lens. Nami, Robin, Boa Hancock and Vivi show up across tees, denim and jackets, mashed with Hysteric’s usual Americana graphics and sleazy-retro attitude.
 Instead of cosplay-adjacent iconography, this collab feels more like bootleg streetwear you’d want to thrift and flex. It leans hard into what’s given Hysteric its name: loud prints and irreverent sex appeal. So you can wipe away worries of sifting through a back-alley rack in Shibuya next to vintage Marlboro jackets and fake Metallica tees. Photo: Hysteric Glamour x One Piece The line-up is lean but punchy: four graphic T-shirts, a mesh cap, an open-collar shirt, and a reversible sukajan bomber jacket with Nami embroidered on one side and all-over artwork on the other. Prices run from ¥15,400 for tees up to ¥132,000 for the sukajan – squarely in Hysteric’s usual range.
 Photo: Hysteric Glamour x One Piece The release drops October 4 at Hysteric Glamour flagships across Japan (Shibuya, Nagoya, Osaka, Sendai, Kyoto, Fukuoka) and the brand’s web store. If you missed the pre-order window on Zozovilla, this is your shot. More from Time Out TokyoFamilyMart has opened its own clothing store in TokyoThe world's first Dragon Ball Store is opening in Tokyo Station this NovemberMichelin Guide Tokyo reveals newly starred restaurants and more for 2026The Summer Hikaru Died is getting a stag

Navigating Tokyo’s nightlife scene can feel like stepping into a circus. One look around reveals endless options for revelry that can take you well on into the early morning – but the act of actually walking into a new space, especially one you’ve never set foot in before, can be daunting. So, to spare you another night posted up in front of your go-to convenience store, we’ve curated a list of events happening around the city this weekend that are guaranteed to be worth the effort. With Tokyo Fashion Week in full swing, this weekend’s line-up promises a wave of stylish people, move-inducing beats, and a whole lot of fun. Photo:Yagi Exhibition. x Kangol Presents: Rabbit Museum Yagi Exhibition x Kangol Presents: Rabbit Museum at Domicile Tokyo Sep 5-12Reiji Okamoto is a man of many musical titles, but above all, he's a connector of Tokyo’s underground – This time he's teaming up with renowned British brand Kangol for the fourth round of their cult collaboration. The Rabbit Beanie returns, updated with a few design changes, and a multitude of colours. Alongside the garment’s official release will be an exhibition of one-off custom versions created by 21 iconic local artists at Tokyo’s fashion and cultural syndicate, Domicile Tokyo. The exhibition launches Friday with an opening reception and will remain on view through September 12. The collab celebrations will spill over into Monday with a Rabbit Party being held at Shibuya’s Music Bar Lion. Expect live sets, seasoned DJs an