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Before walking into the Kukje Gallery, look up: on the roof of the building is "Walking Woman on the Roof," a self-described installation piece by American artist Jonathan Borofsky. The gallery opened in 1982 and has a total of three exhibition halls, which in turn are each divided into smaller exhibition spaces with separators. Kukje Gallery came onto the arts radar in 2003, when video artist Bill Viola and Anish Kapoor each held solo shows here. The museum's core exhibitions highlight internationally acclaimed artists with contemporary art backgrounds.
There’s an artificial quality to Jung Yeon-doo’s work that you can’t quite figure out. Despite the ever-so-slightly awkward smiles and staged poses, the people in these photos aren’t hired models. These are real families that live in the same apartment complex.Â
In commemoration of 130 years of diplomatic relations between France and Korea, the MMCA is hosting a solo exhibition of French contemporary artist Gilles Barbier, originally from the South Pacific nation of Vanuatu. Recently having shown at La Friche in Marseille, the exhibition, “Echo system: Gilles Barbier,” brings a variety of drawings, sculptures and paintings never before seen in Seoul—introducing the prolific artist’s unique insights, processes and sense of humor. Colorful, witty and perverse, Barbier’s works often challenge social conventions. The day before the exhibition’s opening, Time Out Seoul sat down with Gilles Barbier and his curator, Gaël Charbau, to talk about the exhibition and try to get inside Barbier’s mind (before we let him into ours).
Filled with numerous sewing needle factories and textile manufacturers that supply the neighboring Dongdaemun Market, Changsin-dong has been largely a working-class neighborhood since the 1960’s. It is in this historic district where artist Nam June Paik spent part of his early childhood, and where his memorial now stands. Located in a quiet and unassuming part of a narrow alley, the memorial is in the shape of a hanok, the traditional Korean house, making it visibly different from the rest of the neighborhood.
One step inside the main entrance, you get an immediate glimpse of Paik’s artistic style, at the door, which is created from putting nine televisions side by side. The televisions depict scenes from history to capture the environment in which Paik grew up. Born in Seoul in 1932, Paik lived in Hong Kong, Japan, Germany and the U.S. throughout his lifetime, before returning to Seoul in 1984. His diverse life experiences are manifest in his artwork.
The inside of the house is a simple L-shape with a small courtyard, allowing visitors a short but thorough look into the life of Paik as an artist. The memorial features a short history of Paik’ career with commentary from friends and influences, as well as his signature television art projects, such as Good Morning America and collaboration with soprano Sumi Jo. At the end, you can enter a room modeled after Paik’s apartment in Soho, New York, where you can watch the interactive biography, the Paper Theater.
Nam June Paik...
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Been there, done that? Think again, my friend.
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