Obviously. The first film ended with Ana upset and walking out on Christian Grey and his horse hair whips, but it wouldn’t be much of a sequel if the lovers stayed separated. Christian wants Ana back and if there’s one thing we learned about him in ‘Fifty Shades of Grey’ (and, yes, this was the only thing we did learn) it’s that he’s used to getting his way.
Christian is ditching the excessive sex paperwork. Forget rules and restrictions, the man with the tie fetish no longer needs his beloved to sign a contract detailing her weekly sexual obligations, diet and hair removal rota. Star Dakota Johnson has said the millionaire businessman is more relatable and has more personality going forward. All good news there, then.
The clue is in the title, people. This movie ain’t about the pale shades of grey. (You know, Pavilion, Elephant Breath and Lamp Room.) We’re talking more Down Pipe*. ‘Fifty Shades Darker’ is taking the action in a more sinister direction. The words ‘psychological’ and ‘thriller’ have been bandied around. (*All actual shades, thanks to Farrow and Ball.
Leila Williams (Bella Heathcote), one of Christian’s former submissives, steps into the picture and starts following Ana around, appearing outside her workplace and watching her sleep. She looks strangely similar and appears to be rather unstable. Christian’s inability to express healthy emotions could soon be the least of Ana’s worries.
In showers. In lifts. At dinner. Maybe on boats. Sometimes on beds.
Because they’ve set a precedent now.
Like, really. ‘Fifty Shades’ is actually a love story. It’s not about the bonking at all. It’s totally romantic. ‘We see the romance blossom in their relationship as they meet each other’s needs,’ says author EL James.
‘Fifty Shades of Grey’ did hint at Mr Grey’s dark and upsetting past but Jamie Dornan kept taking his top off so no one cared. In the second movie though, with the arrival of Leila and the woman who whipped Christian (Kim Basinger) into submission, we can’t ignore the origin story. Get ready to find out why Christian is such a controlling narcissist.
Ana gets herself in yet another unbalanced relationship with a more mature man in a position of power. Her new boss Jack Hyde (Eric Johnson) has the hots for her. Let’s assume Christian won’t be best pleased.