1. Ginza Graphic Gallery
    Installation view: TDC 2019 exhibition, Tokyo, 2019. Photo: Fujitsuka Mitsumasa
  2. Ginza Graphic Gallery
    Installation view: TDC 2019 exhibition, Tokyo, 2019. Photo: Fujitsuka Mitsumasa

Ginza Graphic Gallery

  • Art | Galleries
  • Ginza
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Time Out says

Established as part of DNP’s (Dai Nippon Printing Co, Ltd) cultural activities in 1986, Ginza Graphic Gallery (GGG) is an acclaimed space specialising in graphic art and design. Compared to other art disciplines, graphic art and design has a shorter history, which allows the gallery to showcase artists from various eras and countries. GGG has featured works by graphic designers and illustrators such as Paula Scher, to name just one, an influential figure in postmodern design. Moreover, the gallery has an additional space, Graphic Archive Library, in the same building, where you can watch videos and browse GGG publications – it’s a great place to learn more about graphic design.

Details

Address
DNP Ginza Bldg 1F, 7-7-2 Ginza, Chuo
Tokyo
Transport:
Ginza Station (Ginza, Hibiya, Marunouchi lines), exit A2
Price:
Free
Opening hours:
11am-7pm, closed Sun & hols

What’s on

Dafi Kühne: Constructing Posters

Dafi Kühne works at the intersection of graphic design, craftsmanship and mechanical performance. At a moment when digital production and AI-generated imagery increasingly dominate visual culture, the Swiss designer has devoted himself to the tactile rigor of letterpress printing, transforming a centuries-old technique into a radically contemporary form of expression. This summer, Ginza Graphic Gallery showcases his distinctive process with ‘Dafi Kühne: Constructing Posters’, on view from July 14 to August 26. Far from nostalgic revivalism, Kühne’s practice pushes analogue printing into unexpected territory. Working from his studio in the Swiss Alps, he operates nearly forty tons of presses, metal type, woodblocks and custom-built tools to produce monumental posters by hand. His works often reach the scale of Swiss street posters, demanding an intense physical engagement with the machinery itself. Combining traditional techniques with self-engineered modifications and digital experimentation, Kühne treats printing not simply as reproduction, but as a performative and sculptural act. The exhibition traces this intricate process from conception to finished object. Alongside completed posters, visitors encounter printing blocks, typographic elements, handmade linocuts and material fragments that reveal the labour embedded within each image. The result is a meditation on the enduring expressive power of the human hand in an increasingly immaterial age, and an immersive...
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